Add to ORKGFocusing on Samaras's use of a wide variety of media and artistic practices, the authors outline the artist's life, the development of his work and his relations to contemporary art. Biographical notes. Circa 200 bibl. ref
The Secret Lives of Art Works is a collection of essays on the phenomenon that viewers treat works o...
Noting Kostyniuk's interest in art and science, Climer outlines the development of the artist's work...
A three phase series of exhibitions which examine art practices, objecthood and audience reception i...
Rich surveys the evolution of Lucs' painting and sculpture from 1979 to 1984, emphasizing his use of...
Grubisic describes the thematic and formal development in Sabelis's paintings. Biographical notes
Rogers elaborated on art and spirituality and the relation of expression and technique. Biographical...
Dabrowski focuses on the conceptual complexity of Mol's installations and drawings. Emphasis is plac...
Davis traces the development of Barbeau's abstract, gestural painting from 1957 to 1989. Biographica...
Milrod describes Carr-Harris' attempt to involve the viewer in his installation works. Includes the ...
Saulnier indicates connections between recent sculptural works (1992-1994) which draw on animal shap...
The thesis paper deals with the artist book, an art form that has become a part of the university cu...
Johnstone discusses Saulnier's recent sculptures in terms of representation, bricolage, quotation an...
Jenkner describes Tamasauskas' images and his investigation of the medium of printmaking. Biographic...
Artist Tamasauskas views the wide range of papers and procedures available as both a creative stimul...
Shooman examines the abstract paintings produced by Schluderbacher in 1991. Biographical notes
The Secret Lives of Art Works is a collection of essays on the phenomenon that viewers treat works o...
Noting Kostyniuk's interest in art and science, Climer outlines the development of the artist's work...
A three phase series of exhibitions which examine art practices, objecthood and audience reception i...
Rich surveys the evolution of Lucs' painting and sculpture from 1979 to 1984, emphasizing his use of...
Grubisic describes the thematic and formal development in Sabelis's paintings. Biographical notes
Rogers elaborated on art and spirituality and the relation of expression and technique. Biographical...
Dabrowski focuses on the conceptual complexity of Mol's installations and drawings. Emphasis is plac...
Davis traces the development of Barbeau's abstract, gestural painting from 1957 to 1989. Biographica...
Milrod describes Carr-Harris' attempt to involve the viewer in his installation works. Includes the ...
Saulnier indicates connections between recent sculptural works (1992-1994) which draw on animal shap...
The thesis paper deals with the artist book, an art form that has become a part of the university cu...
Johnstone discusses Saulnier's recent sculptures in terms of representation, bricolage, quotation an...
Jenkner describes Tamasauskas' images and his investigation of the medium of printmaking. Biographic...
Artist Tamasauskas views the wide range of papers and procedures available as both a creative stimul...
Shooman examines the abstract paintings produced by Schluderbacher in 1991. Biographical notes
The Secret Lives of Art Works is a collection of essays on the phenomenon that viewers treat works o...
Noting Kostyniuk's interest in art and science, Climer outlines the development of the artist's work...
A three phase series of exhibitions which examine art practices, objecthood and audience reception i...