Describing Forster's fictional biographies, retrospectives, reviews and originals, Folland elaborates on the artist's critical deconstruction of the museum's claim to produce true representations. In particular, the terms "authenticity" and "the artist" are critically analyzed. Biographical notes. 15 bibl. ref
In a reprinted text, Town links the artists' work to a reexamination of the terms of "fiction". Biog...
The genre of art and design criticism still revolves around the publication of carefully considered ...
In the works The Great Gatsby by F. Scott Fitzgerald, The Shape of Things by Neil LaBute, The Goldfi...
A catalogue documenting installations and related works by Forster which were made between 1990-96. ...
Wagner offers a biographical account and Teufler relates the artist's work to language. In interview...
Jansma recounts the events of Forster's career and examines such matters as Toronto in the 1930s, th...
Forster maintains that standard modes of exegetical interpretation must be abandoned in order to app...
The project explored the hypothesis that meaning, within contemporary painting practice, is embedded...
M.Tech. (Fine Art)Abstract: In this study I examine the functions and effects of incorporating ficti...
A text written in response to the idea of the artist as a fictional being that needs an underlying m...
ReconFigure Paintings is a solo exhibition at The Usher Gallery, Lincoln of an ongoing series of wor...
"The contradictory character of museums leads the author to a philosophical reflection on history, o...
This book is a collection of essays on the phenomenon that viewers treat works of art as living bein...
Any critical assessment of single-artist museums, both on a design level and on an institutional lev...
This was a paper given at the Symposium, 'Painting/looking' at The Collection, Lincoln — 16th April ...
In a reprinted text, Town links the artists' work to a reexamination of the terms of "fiction". Biog...
The genre of art and design criticism still revolves around the publication of carefully considered ...
In the works The Great Gatsby by F. Scott Fitzgerald, The Shape of Things by Neil LaBute, The Goldfi...
A catalogue documenting installations and related works by Forster which were made between 1990-96. ...
Wagner offers a biographical account and Teufler relates the artist's work to language. In interview...
Jansma recounts the events of Forster's career and examines such matters as Toronto in the 1930s, th...
Forster maintains that standard modes of exegetical interpretation must be abandoned in order to app...
The project explored the hypothesis that meaning, within contemporary painting practice, is embedded...
M.Tech. (Fine Art)Abstract: In this study I examine the functions and effects of incorporating ficti...
A text written in response to the idea of the artist as a fictional being that needs an underlying m...
ReconFigure Paintings is a solo exhibition at The Usher Gallery, Lincoln of an ongoing series of wor...
"The contradictory character of museums leads the author to a philosophical reflection on history, o...
This book is a collection of essays on the phenomenon that viewers treat works of art as living bein...
Any critical assessment of single-artist museums, both on a design level and on an institutional lev...
This was a paper given at the Symposium, 'Painting/looking' at The Collection, Lincoln — 16th April ...
In a reprinted text, Town links the artists' work to a reexamination of the terms of "fiction". Biog...
The genre of art and design criticism still revolves around the publication of carefully considered ...
In the works The Great Gatsby by F. Scott Fitzgerald, The Shape of Things by Neil LaBute, The Goldfi...