The development of Thauberger's images of the prairie landscape, of architecture and of cultural artifacts drawn from funk and folk art is traced by White and Tousley. His particular regionalism based on community, identity and memory is described. Biographical notes. 51 bibl. ref
Referring to the landscape tradition, Bingham describes how six painters use varying degrees of abst...
J. Clark situates Boyer's exhibition of paintings from the 1990s within the context of the artist's ...
David Madzo was born in North Dakota, where he was raised in Medora. In the late 1970s, he entered U...
The development of Thauberger's images of the prairie landscape, of architecture and of cultural art...
White explains the importance of community and popular culture in Thauberger's paintings of Southern...
In an essay responding to Thauberger’s paintings of Moose Jaw, Hall contends that the city is an imp...
In a re-edited text, Tousley describes the anti-modernist aspects of Thauberger's work. Biographical...
Long provides a definition of "folk art" and recounts how the "iconoclastic" movement in the 1970s b...
" Much lauded Saskatchewan painter David Thauberger, CM, SOM, RCA, is well known for his work focuse...
For Thauberger, McInnes' drawings of rural Saskatchewan suggest how primitive art combines elements ...
In his examination of landscape painting by four Canadians, White deals with aspects of our current ...
Noting comments by American critics about painting in Toronto, Tousley elaborates on formal characte...
In an extensive historical essay, Ring traces the conflict between a modernist and regionalist aesth...
Fenton defines Hurley and Wyers as painters of the prairie landscape and, refering to Wyers as a pri...
Phillips describes MacDougall's paintings which are influenced by the Prairie landscape. Biographica...
Referring to the landscape tradition, Bingham describes how six painters use varying degrees of abst...
J. Clark situates Boyer's exhibition of paintings from the 1990s within the context of the artist's ...
David Madzo was born in North Dakota, where he was raised in Medora. In the late 1970s, he entered U...
The development of Thauberger's images of the prairie landscape, of architecture and of cultural art...
White explains the importance of community and popular culture in Thauberger's paintings of Southern...
In an essay responding to Thauberger’s paintings of Moose Jaw, Hall contends that the city is an imp...
In a re-edited text, Tousley describes the anti-modernist aspects of Thauberger's work. Biographical...
Long provides a definition of "folk art" and recounts how the "iconoclastic" movement in the 1970s b...
" Much lauded Saskatchewan painter David Thauberger, CM, SOM, RCA, is well known for his work focuse...
For Thauberger, McInnes' drawings of rural Saskatchewan suggest how primitive art combines elements ...
In his examination of landscape painting by four Canadians, White deals with aspects of our current ...
Noting comments by American critics about painting in Toronto, Tousley elaborates on formal characte...
In an extensive historical essay, Ring traces the conflict between a modernist and regionalist aesth...
Fenton defines Hurley and Wyers as painters of the prairie landscape and, refering to Wyers as a pri...
Phillips describes MacDougall's paintings which are influenced by the Prairie landscape. Biographica...
Referring to the landscape tradition, Bingham describes how six painters use varying degrees of abst...
J. Clark situates Boyer's exhibition of paintings from the 1990s within the context of the artist's ...
David Madzo was born in North Dakota, where he was raised in Medora. In the late 1970s, he entered U...
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