Add to ORKGDawn describes Klimek's sculpture, inspired gy gardens, in relation to nature, culture, utopia and post-industrial society. Biographical notes. 1 bibl. ref
Lindberg outlines De Staebler's life and the development of his figurative sculpture, focusing on th...
Milrod contextualizes Schelle's work with a discussion of the ideas of the "expanded field" in sculp...
The authors comment on Talaga's work, elaborating on the use of biomorphic forms in her drawings, pr...
Dawn describes Klimek's sculpture, inspired gy gardens, in relation to nature, culture, utopia and p...
Placing Klimek amongst other significant women in the expanding sculptural activity of the 1980's, D...
Noting Kostyniuk's interest in art and science, Climer outlines the development of the artist's work...
Smith uses Walter Benjamin's dystopian allegory of progress to comment on Klimek's installation abou...
For an exhibition of three sculptures by Klimek, Lemecha examines the implications of the use of bro...
Dompierre describes the metamorphosis inherent to Ciesluk's outdoor landworks and the process by whi...
Sculptors Hicks, Klimek and Posyniak discuss the numerous influences upon their work. Biographical n...
Comparing Kolisnyk's work to constructivism and minimalism, Nasgaard describes the artist's use of m...
Dawn describes Ferguson's sculptures and their exploration of technology and nature in society. Biog...
Bierk highlights the construction of landscape in the artists' works. Artists' statements. Biographi...
Commenting on the sculpture garden itself, Holubizky elaborates on Schelle's references to gardens a...
Antaki deals with the work of five sculptors brought together due to their ecological and holistic c...
Lindberg outlines De Staebler's life and the development of his figurative sculpture, focusing on th...
Milrod contextualizes Schelle's work with a discussion of the ideas of the "expanded field" in sculp...
The authors comment on Talaga's work, elaborating on the use of biomorphic forms in her drawings, pr...
Dawn describes Klimek's sculpture, inspired gy gardens, in relation to nature, culture, utopia and p...
Placing Klimek amongst other significant women in the expanding sculptural activity of the 1980's, D...
Noting Kostyniuk's interest in art and science, Climer outlines the development of the artist's work...
Smith uses Walter Benjamin's dystopian allegory of progress to comment on Klimek's installation abou...
For an exhibition of three sculptures by Klimek, Lemecha examines the implications of the use of bro...
Dompierre describes the metamorphosis inherent to Ciesluk's outdoor landworks and the process by whi...
Sculptors Hicks, Klimek and Posyniak discuss the numerous influences upon their work. Biographical n...
Comparing Kolisnyk's work to constructivism and minimalism, Nasgaard describes the artist's use of m...
Dawn describes Ferguson's sculptures and their exploration of technology and nature in society. Biog...
Bierk highlights the construction of landscape in the artists' works. Artists' statements. Biographi...
Commenting on the sculpture garden itself, Holubizky elaborates on Schelle's references to gardens a...
Antaki deals with the work of five sculptors brought together due to their ecological and holistic c...
Lindberg outlines De Staebler's life and the development of his figurative sculpture, focusing on th...
Milrod contextualizes Schelle's work with a discussion of the ideas of the "expanded field" in sculp...
The authors comment on Talaga's work, elaborating on the use of biomorphic forms in her drawings, pr...