Add to ORKGThrough a brief history of the various functions of drawing, Blouin presents contemporary works which illustrate the problem of the circumscribing of drawing in the art of the 80's. Biographical notes. 144 bibl. ref
Examining the transformations between small sketch and large work, Fair reflects on the evolution of...
Pottruff outlines some of the reasons for the re-emergence of drawing as an independent art form. Si...
Closely examining Bobak's drawings of the 1950s and early 1960s, Baster focuses on the artist's appr...
Through a brief history of the various functions of drawing, Blouin presents contemporary works whic...
Looking at figurative drawings, Krausz defines the essential qualities of drawing in terms of its im...
An introductory text notes the changes in the definition of drawing. Brief biographical indications ...
Discussing the inherent qualities of the medium of drawing, Parent situates the works of 40 artists ...
Shaw considers the re-emergence of the human figure in works by seven artists. Biographical notes. 1...
Following curator Yarlow's remarks on S. Andrews, F. Boulet, J. Clark, C. Daley and A. Youldon's att...
Moppett examines drawing as process and looks at 20th century approaches to drawing. Includes statem...
Campbell adds a brief history of drawing to his analysis of individual works on paper by 15 Montreal...
In a descriptive account of Bloor's abstract drawings (1960-1988), Tamplin examines the artist's pro...
Collected interviews, correspondence and statements trace the artists' relationship to the medium of...
Rose makes the case for contemporary drawing, i.e. that which since the 17th century has changed onl...
Describing drawing as the most direct mode of visual expression, Nasby outlines the stylistic charac...
Examining the transformations between small sketch and large work, Fair reflects on the evolution of...
Pottruff outlines some of the reasons for the re-emergence of drawing as an independent art form. Si...
Closely examining Bobak's drawings of the 1950s and early 1960s, Baster focuses on the artist's appr...
Through a brief history of the various functions of drawing, Blouin presents contemporary works whic...
Looking at figurative drawings, Krausz defines the essential qualities of drawing in terms of its im...
An introductory text notes the changes in the definition of drawing. Brief biographical indications ...
Discussing the inherent qualities of the medium of drawing, Parent situates the works of 40 artists ...
Shaw considers the re-emergence of the human figure in works by seven artists. Biographical notes. 1...
Following curator Yarlow's remarks on S. Andrews, F. Boulet, J. Clark, C. Daley and A. Youldon's att...
Moppett examines drawing as process and looks at 20th century approaches to drawing. Includes statem...
Campbell adds a brief history of drawing to his analysis of individual works on paper by 15 Montreal...
In a descriptive account of Bloor's abstract drawings (1960-1988), Tamplin examines the artist's pro...
Collected interviews, correspondence and statements trace the artists' relationship to the medium of...
Rose makes the case for contemporary drawing, i.e. that which since the 17th century has changed onl...
Describing drawing as the most direct mode of visual expression, Nasby outlines the stylistic charac...
Examining the transformations between small sketch and large work, Fair reflects on the evolution of...
Pottruff outlines some of the reasons for the re-emergence of drawing as an independent art form. Si...
Closely examining Bobak's drawings of the 1950s and early 1960s, Baster focuses on the artist's appr...