Add to ORKGDocument of an exhibition of ten abstract sculptures. After a brief introduction, Kline offers a formal description of each piece. Worringer's theory of abstraction provides basis for her analysis. Biographical notes
Kelly situates Shuebrook's work in relation to the formal and spiritual aspects of Abstract Expressi...
Murray examines the significance of an exhibition of seven painters (the forming members of Painters...
In her essay, Wilkin notes the influence of early abstract painters on works by Drapell, Feist, Hayn...
Document of an exhibition of ten abstract sculptures. After a brief introduction, Kline offers a for...
Seven authors and two interviewers analyze, describe and investigate Ellsworth Kelly's work in sculp...
In this exhibition catalogue of works by 16 American sculptors, Dreishpoon inquires into the degree ...
Kline explains how and why contemporary artists still do abstract painting. Includes separate essays...
It is the purpose of this thesis to examine the development of the concepts of abstraction and forma...
An historical and typological survey of abstract art in the twentieth century, rejecting the widely ...
Brougher demonstrate the extent of abstraction's return as a critical force today. The author briefl...
Throughout the twentieth century, the relationship between representation and abstraction has been r...
Wallace presents this exhibition of paintings completed in 1999-2000 by Leach, Singer and Stanbridge...
Beesley traces the development of Seelig's work, elaborating on the artist's commitment to formal ab...
This publication contains papers presented at a symposium on contemporary abstract painting in New Y...
SIGLEAvailable from British Library Document Supply Centre- DSC:D97159 / BLDSC - British Library Doc...
Kelly situates Shuebrook's work in relation to the formal and spiritual aspects of Abstract Expressi...
Murray examines the significance of an exhibition of seven painters (the forming members of Painters...
In her essay, Wilkin notes the influence of early abstract painters on works by Drapell, Feist, Hayn...
Document of an exhibition of ten abstract sculptures. After a brief introduction, Kline offers a for...
Seven authors and two interviewers analyze, describe and investigate Ellsworth Kelly's work in sculp...
In this exhibition catalogue of works by 16 American sculptors, Dreishpoon inquires into the degree ...
Kline explains how and why contemporary artists still do abstract painting. Includes separate essays...
It is the purpose of this thesis to examine the development of the concepts of abstraction and forma...
An historical and typological survey of abstract art in the twentieth century, rejecting the widely ...
Brougher demonstrate the extent of abstraction's return as a critical force today. The author briefl...
Throughout the twentieth century, the relationship between representation and abstraction has been r...
Wallace presents this exhibition of paintings completed in 1999-2000 by Leach, Singer and Stanbridge...
Beesley traces the development of Seelig's work, elaborating on the artist's commitment to formal ab...
This publication contains papers presented at a symposium on contemporary abstract painting in New Y...
SIGLEAvailable from British Library Document Supply Centre- DSC:D97159 / BLDSC - British Library Doc...
Kelly situates Shuebrook's work in relation to the formal and spiritual aspects of Abstract Expressi...
Murray examines the significance of an exhibition of seven painters (the forming members of Painters...
In her essay, Wilkin notes the influence of early abstract painters on works by Drapell, Feist, Hayn...