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Ottawa artist Davison began painting in 1962, coming from a background in theatre. Her work incorporates humour and its processes include painting, drawing, collage and cast paper. Introductory essay describes her "autobiographical narrative content." Biographical notes. 3 bibl.ref
Stressing the artist's lust for life, Richmond provides an overview of the development of Bobak's ca...
McCaugherty recounts stories of her life and of homesteading in Alberta, leading to her work as an a...
Koehler-Vandergraaf assesses Zwicker's long career as an artist in Nova Scotia by examining watercol...
Ottawa artist Davison began painting in 1962, coming from a background in theatre. Her work incorpor...
Introducing her cast paper reliefs, Davison describes her process of working. Biographical notes
Shuebrook surveys Metson's career from before his arrival in Canada in 1968, noting the sources and ...
Rinder describes Canadian-born Martin's recent formalist paintings. Richmond's essay fuses elements ...
Collinson focuses on the notion of the artist as individual in her discussion of Dickson's fetish bo...
Clark's biographical narrative traces the evolution of 40 years of paintings, drawings, and etchings...
Five essays, dedicated to the work of the late Ontario painter Martyn, interrogate the artist's appr...
Documenting the artist's first solo Canadian exhibition, a discussion of Clay's work within 1980's r...
Ring writes a biographical sketch of a long-standing figure in the Saskatoon arts community, Eva Men...
Quoting the artist and providing biographical insights, Williams reflects on the painter's familiari...
Tracey Emin is one of the best- known current British artists. Her art is essentially autobiographic...
Roubaud briefly presents the Canadian artist's life and work, and describes her two last photographi...
Stressing the artist's lust for life, Richmond provides an overview of the development of Bobak's ca...
McCaugherty recounts stories of her life and of homesteading in Alberta, leading to her work as an a...
Koehler-Vandergraaf assesses Zwicker's long career as an artist in Nova Scotia by examining watercol...
Ottawa artist Davison began painting in 1962, coming from a background in theatre. Her work incorpor...
Introducing her cast paper reliefs, Davison describes her process of working. Biographical notes
Shuebrook surveys Metson's career from before his arrival in Canada in 1968, noting the sources and ...
Rinder describes Canadian-born Martin's recent formalist paintings. Richmond's essay fuses elements ...
Collinson focuses on the notion of the artist as individual in her discussion of Dickson's fetish bo...
Clark's biographical narrative traces the evolution of 40 years of paintings, drawings, and etchings...
Five essays, dedicated to the work of the late Ontario painter Martyn, interrogate the artist's appr...
Documenting the artist's first solo Canadian exhibition, a discussion of Clay's work within 1980's r...
Ring writes a biographical sketch of a long-standing figure in the Saskatoon arts community, Eva Men...
Quoting the artist and providing biographical insights, Williams reflects on the painter's familiari...
Tracey Emin is one of the best- known current British artists. Her art is essentially autobiographic...
Roubaud briefly presents the Canadian artist's life and work, and describes her two last photographi...
Stressing the artist's lust for life, Richmond provides an overview of the development of Bobak's ca...
McCaugherty recounts stories of her life and of homesteading in Alberta, leading to her work as an a...
Koehler-Vandergraaf assesses Zwicker's long career as an artist in Nova Scotia by examining watercol...
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