This publication documents a history of avant-garde activity in Canada since 1939. Bronson illustrates how the developing Canadian art scene in these years was generated and shaped by the artists themselves, not just through their art, but with the periodicals, parallel galleries and art activity they created. Contributions by regional editors in Montréal, Vancouver and Toronto make the scope of the thesis a national one. Chronology of artist-initiated activity in Canada, 1939-1987
Davis examines Quebec art in the 1940s and 1950s, outlining the evolution of the Automatistes and th...
Identifying pictorialism as the popular aesthetic movement in photography in postwar Vancouver, gues...
The terrain of artist-run culture in Canada and Québec discursively fabricates a network of artist-...
Bronson introduces an exhibition examining the roots of Canada's artist-run spaces through "artist-g...
Burnett and Schiff provide an in-depth history of Canadian art from the 1940s through the 1980s. Dis...
During the 1910s, there was an increasing concerted effort on the part of Canadian artists to create...
Focussing primarily on the 1940s and 1950s, Hubbard considers the movements and works that grew out ...
Canadians in recent years have become increasingly aware of their heritage. Entering into a new era...
Town notes the development of artists' societies and groups in the wake of the Group of Seven, most ...
Curator Boyanoski identifies the period 1950-1963 as pivotal to Canadian art. Focusing on work from ...
Canadian art of the twenties is dominated by the rise and growth of the Group of Seven. It is the st...
" Imagining Resistance: Visual Culture and Activism in Canada offers two separate but interconnected...
Looking at the specificity of art produced on the West coast, Varley discusses 16 artists' works. Sp...
Taking General Idea’s “Borderline Research” request, which appeared in the first issue of FILE Megaz...
Mastin examines selected works in the Kamloops Art Gallery's permanent collection which were produce...
Davis examines Quebec art in the 1940s and 1950s, outlining the evolution of the Automatistes and th...
Identifying pictorialism as the popular aesthetic movement in photography in postwar Vancouver, gues...
The terrain of artist-run culture in Canada and Québec discursively fabricates a network of artist-...
Bronson introduces an exhibition examining the roots of Canada's artist-run spaces through "artist-g...
Burnett and Schiff provide an in-depth history of Canadian art from the 1940s through the 1980s. Dis...
During the 1910s, there was an increasing concerted effort on the part of Canadian artists to create...
Focussing primarily on the 1940s and 1950s, Hubbard considers the movements and works that grew out ...
Canadians in recent years have become increasingly aware of their heritage. Entering into a new era...
Town notes the development of artists' societies and groups in the wake of the Group of Seven, most ...
Curator Boyanoski identifies the period 1950-1963 as pivotal to Canadian art. Focusing on work from ...
Canadian art of the twenties is dominated by the rise and growth of the Group of Seven. It is the st...
" Imagining Resistance: Visual Culture and Activism in Canada offers two separate but interconnected...
Looking at the specificity of art produced on the West coast, Varley discusses 16 artists' works. Sp...
Taking General Idea’s “Borderline Research” request, which appeared in the first issue of FILE Megaz...
Mastin examines selected works in the Kamloops Art Gallery's permanent collection which were produce...
Davis examines Quebec art in the 1940s and 1950s, outlining the evolution of the Automatistes and th...
Identifying pictorialism as the popular aesthetic movement in photography in postwar Vancouver, gues...
The terrain of artist-run culture in Canada and Québec discursively fabricates a network of artist-...