Add to ORKGA broadsheet on Neimanas' photographic murals, with an artist's statement on the technical process used with magazine collages. The resulting "random collisions of images and words" are the artist's investigation, with humour, of representation and relationship in our media-saturated culture. Biographical notes. 29 bibl. ref
In a catalogue documenting Wieland's drawings, Allen writes on the artist's work in terms of the the...
The domestication of creative software and hardware has been a significant factor in the recent prol...
"Conceived and co-curated by Barberis, Intersections: Reading the Space: Christianity, Juda...
Exhibition Notes, Number 37, 2010. Collision is an experiment in exhibition-making. It began when pa...
Many adults and children may recognize Maurice Sendak’s children’s book Where the Wild Things Are, b...
Considering the artist's investigation of perceptual and mnemonic mechanisms, Gagnon comments on Rea...
The way Wegman's photographs use popular culture and humour to address the function of art and of th...
This book aims to examine key themes and issues relevant to the artist’s work. Written from diverse...
The artist traces the progression of her production and the correlations to her study of Buddhism an...
Dikeakos analyses Kaplan's juxtaposition of photographs of graffiti and art historical images, notin...
A Lot of Things Have Happened is a rare chance to see work from the UK by artists who use a variety ...
In her essay on Bellemare’s sculptural installation, Pruesse contemplates the gap between experience...
Legge examines each artist's work, focusing on their use of painting to produce imaginative and surr...
This artist\u27s book by Jane Irish traces the uses of text and lettering in her work through vases,...
Within the last decade, the commingling of art and science has reached a critical mass. Science has ...
In a catalogue documenting Wieland's drawings, Allen writes on the artist's work in terms of the the...
The domestication of creative software and hardware has been a significant factor in the recent prol...
"Conceived and co-curated by Barberis, Intersections: Reading the Space: Christianity, Juda...
Exhibition Notes, Number 37, 2010. Collision is an experiment in exhibition-making. It began when pa...
Many adults and children may recognize Maurice Sendak’s children’s book Where the Wild Things Are, b...
Considering the artist's investigation of perceptual and mnemonic mechanisms, Gagnon comments on Rea...
The way Wegman's photographs use popular culture and humour to address the function of art and of th...
This book aims to examine key themes and issues relevant to the artist’s work. Written from diverse...
The artist traces the progression of her production and the correlations to her study of Buddhism an...
Dikeakos analyses Kaplan's juxtaposition of photographs of graffiti and art historical images, notin...
A Lot of Things Have Happened is a rare chance to see work from the UK by artists who use a variety ...
In her essay on Bellemare’s sculptural installation, Pruesse contemplates the gap between experience...
Legge examines each artist's work, focusing on their use of painting to produce imaginative and surr...
This artist\u27s book by Jane Irish traces the uses of text and lettering in her work through vases,...
Within the last decade, the commingling of art and science has reached a critical mass. Science has ...
In a catalogue documenting Wieland's drawings, Allen writes on the artist's work in terms of the the...
The domestication of creative software and hardware has been a significant factor in the recent prol...
"Conceived and co-curated by Barberis, Intersections: Reading the Space: Christianity, Juda...