Racine explores the complex and paradoxical articulation of Goodwin's works in terms of transparency, folding, passage and projection. Reticent to assimilate Goodwin's recent work to neoexpressionism, Storr demonstrates the continuity that exists between the recent and earlier production of the artist, examining the recent Swimmer series at great length. The pieces presented at the exhibition are documented in detail. Bibliographical notes. Bibl. 15 p
2 of 2 strips marked no.42.; Catalogue record generated as part of a batch load.; Part of the collec...
Babinska refers to the history of landscape painting to contextualize Reid's work which combines pho...
Payant comments on paradox as manifested in for example the apparent lightness of Démidoff-Séguin's ...
In a reprinted text, Landry discusses drawings from Goodwin's "Swimmers" series (1983). Biographical...
Analysing Goodwin's drawings since the early 1980s, Richmond explores the emotional intensity that p...
This major publication traces the development of Goodwin's printmaking from 1950-1990, and focuses o...
Catalogue produced to coincide with Goodwin's representation of the Sao Paulo Biennale. Focusing on ...
In an essay interspersed with statements by the artist, Scott documents Goodwin's recent focus on th...
Wallace presents this exhibition of paintings completed in 1999-2000 by Leach, Singer and Stanbridge...
A large-format publication to accompany an exhibition of works by New Brunswick-based artists L. Bar...
Théberge describes the exhibitions and publications which defined Canadian art in the 1970s. Include...
Analysis of painted work produced by Wieland at the beginning of her career, between 1956 and 1966. ...
Booklet documenting an exhibition of paintings produced by Ann Clarke between 1969 and 2000. Clark t...
2 of 3 strips marked on 12.; Catalogue record generated as part of a batch load.; Part of the collec...
For the first reprospective exhibition of Messager's work, a collection of original and reprinted wr...
2 of 2 strips marked no.42.; Catalogue record generated as part of a batch load.; Part of the collec...
Babinska refers to the history of landscape painting to contextualize Reid's work which combines pho...
Payant comments on paradox as manifested in for example the apparent lightness of Démidoff-Séguin's ...
In a reprinted text, Landry discusses drawings from Goodwin's "Swimmers" series (1983). Biographical...
Analysing Goodwin's drawings since the early 1980s, Richmond explores the emotional intensity that p...
This major publication traces the development of Goodwin's printmaking from 1950-1990, and focuses o...
Catalogue produced to coincide with Goodwin's representation of the Sao Paulo Biennale. Focusing on ...
In an essay interspersed with statements by the artist, Scott documents Goodwin's recent focus on th...
Wallace presents this exhibition of paintings completed in 1999-2000 by Leach, Singer and Stanbridge...
A large-format publication to accompany an exhibition of works by New Brunswick-based artists L. Bar...
Théberge describes the exhibitions and publications which defined Canadian art in the 1970s. Include...
Analysis of painted work produced by Wieland at the beginning of her career, between 1956 and 1966. ...
Booklet documenting an exhibition of paintings produced by Ann Clarke between 1969 and 2000. Clark t...
2 of 3 strips marked on 12.; Catalogue record generated as part of a batch load.; Part of the collec...
For the first reprospective exhibition of Messager's work, a collection of original and reprinted wr...
2 of 2 strips marked no.42.; Catalogue record generated as part of a batch load.; Part of the collec...
Babinska refers to the history of landscape painting to contextualize Reid's work which combines pho...
Payant comments on paradox as manifested in for example the apparent lightness of Démidoff-Séguin's ...