This article presents a series of algorithmic techniques for melody generation, inspired by models of music cognition. The techniques are designed for interactive composition, and so privilege brevity, simplicity, and flexibility over fidelity to the underlying models. The cognitive models canvassed span gestalt, preference rule, and statistical learning perspectives; this is a diverse collection with a common thread—the centrality of “expectations” to music cognition. We operationalize some recurrent themes across this collection as probabilistic descriptions of melodic tendency, codifying them as stochastic melody-generation techniques. The techniques are combined into a concise melody generator, with salient parameters exposed for ready ...
We have developed a new experimental method for interrogating statistical theories of music percepti...
Algorithmic composition is a field that is close to 60 years old, and has seen much research. System...
The aim of this research was to automate the composition of convincingly “real” music in specific mu...
Music composition is a highly interdisciplinary process. To understand it deeply, a number of approa...
Various algorithmic techniques are available for generating music, many of which come from the field...
Music composition is a complex, multi-modal human activity, engaging faculties of perception, memory...
Artificial Intelligence (AI) offers music theorists and cognitive musicologists the means to express...
Algorithmic music composition is a popular area of research in computer aided music; it is the appli...
The prevalent approach to developing cognitive models of music perception and composition is to cons...
This thesis is concerned with cognitive concepts related to melodic preferences, and attempts to cap...
Klinger R, Rudolph G. Automatic Composition of Music with Methods of Computational Intelligence. Tra...
Thesis (Ph. D.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program...
Beyond solving daily logical problems, this project seeks to employ Artificial Intelligence in music...
This paper surveys some of the methods used for algorithmic composition and their evolution during t...
A metric for evaluating the creativity of a music-generating system is presented, the objective bein...
We have developed a new experimental method for interrogating statistical theories of music percepti...
Algorithmic composition is a field that is close to 60 years old, and has seen much research. System...
The aim of this research was to automate the composition of convincingly “real” music in specific mu...
Music composition is a highly interdisciplinary process. To understand it deeply, a number of approa...
Various algorithmic techniques are available for generating music, many of which come from the field...
Music composition is a complex, multi-modal human activity, engaging faculties of perception, memory...
Artificial Intelligence (AI) offers music theorists and cognitive musicologists the means to express...
Algorithmic music composition is a popular area of research in computer aided music; it is the appli...
The prevalent approach to developing cognitive models of music perception and composition is to cons...
This thesis is concerned with cognitive concepts related to melodic preferences, and attempts to cap...
Klinger R, Rudolph G. Automatic Composition of Music with Methods of Computational Intelligence. Tra...
Thesis (Ph. D.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program...
Beyond solving daily logical problems, this project seeks to employ Artificial Intelligence in music...
This paper surveys some of the methods used for algorithmic composition and their evolution during t...
A metric for evaluating the creativity of a music-generating system is presented, the objective bein...
We have developed a new experimental method for interrogating statistical theories of music percepti...
Algorithmic composition is a field that is close to 60 years old, and has seen much research. System...
The aim of this research was to automate the composition of convincingly “real” music in specific mu...