This demonstration will present a performance between two musicians and a dancer demonstrating networking capabilities of linking to Salford University and using gestural input to manipulate audio effects in real time. By assigning musical control to the dancer they become in a sense the third musician in the group and also take on the role of a conductor. The dancer is then able to approach and use their own body as a musical instrument. The project makes use of open source libraries and custom software and presents a novel mapping system to assign gestural input to musical effects
It's known that the second half of the twentieth century brought a major leverage on the use of elec...
Unique and largely unexplored problems face composers and choreographers as they collaborate on inte...
Motion-based music applications exploit the connection between body movements and musical concepts ...
This demonstration paper describes the conception, design and implementation of a hardware/software ...
This paper explores the challenge of achieving nuanced control and physical engagement with gestural...
This paper outlines the aims and technology behind an improvised performance combining electronic dr...
The Physical Computing Ensemble was created in order to determine the viability of an approach to mu...
This paper explores the challenge of achieving nuanced control and physical engagement with gestural...
The augmented ballet project aims at gathering research from several fields and directing them towar...
The present paper investigates aspects of technologically mediated embodied interaction in dance-dri...
International audienceThis paper presents EmbodiNet, a novel system that augments distributed perfor...
This paper describes a software extension to the Reactable entitled Gestroviser that was developed t...
In this chapter, the author writes about the creative process behind her dance and sound collaborati...
Piano&Dancer is an interactive piece for a dancer and an electromechanical acoustic piano. The piece...
Interactive systems of today are designed for individual-based interactions, which have led to peopl...
It's known that the second half of the twentieth century brought a major leverage on the use of elec...
Unique and largely unexplored problems face composers and choreographers as they collaborate on inte...
Motion-based music applications exploit the connection between body movements and musical concepts ...
This demonstration paper describes the conception, design and implementation of a hardware/software ...
This paper explores the challenge of achieving nuanced control and physical engagement with gestural...
This paper outlines the aims and technology behind an improvised performance combining electronic dr...
The Physical Computing Ensemble was created in order to determine the viability of an approach to mu...
This paper explores the challenge of achieving nuanced control and physical engagement with gestural...
The augmented ballet project aims at gathering research from several fields and directing them towar...
The present paper investigates aspects of technologically mediated embodied interaction in dance-dri...
International audienceThis paper presents EmbodiNet, a novel system that augments distributed perfor...
This paper describes a software extension to the Reactable entitled Gestroviser that was developed t...
In this chapter, the author writes about the creative process behind her dance and sound collaborati...
Piano&Dancer is an interactive piece for a dancer and an electromechanical acoustic piano. The piece...
Interactive systems of today are designed for individual-based interactions, which have led to peopl...
It's known that the second half of the twentieth century brought a major leverage on the use of elec...
Unique and largely unexplored problems face composers and choreographers as they collaborate on inte...
Motion-based music applications exploit the connection between body movements and musical concepts ...