Cosmopolitanism and Subversion of 'Home' in Caryl Phillips's A Distant Shore

The novels of Caryl Phillips have most commonly been approached from post-colonial theoretical perspectives, a trend which appears entirely appropriate given their recurrent themes of immigration, ethnic discrimination and the legacy of the trans-Atlantic slave trade. However, the analysis below contends that the publication of A Distant Shore marked a change of direction in Phillips's oeuvre towards a less formally experimental but thematically more cosmopolitan form of writing that conspicuously sets out to subvert and redefine the idea of 'home'. Using the critical frameworks of Avtar Brah, Paul Gilroy and Jacques Derrida, the discussion will illustrate how Phillips critically re-imagines the notion 'home' in order to signify an inclusive space of cosmopolitan conviviality and openness