In this paper we propose a framework for communicating performance art to deaf, blind and deafblind audiences and artists haptically through the sense of touch. This research opens doors for novel artistic trends relying mainly on the sense of touch. The paper investigates the design considerations dictated by solo and group dances as well as stage setup. Implementation scenarios for deafblind audiences and performers are also discussed
This is the author accepted manuscript. The final version is available from Oxford University Press ...
Musical interactions have the potential to increase emotional well-being, self-confidence and self-m...
The authors have developed a new hardware/software device for persons with disabilities (the MotionC...
In this paper we propose a framework for communicating performance art to deaf, blind and deaf blind...
This paper describes a system for delivering movement information from a dance performance using a m...
This paper describes a system for delivering movement information from a dance performance using a m...
It is generally understood that the human senses are interconnected and always work in relation to e...
Abstract In this article we introduce a systematic, holistic way of experiencing music performances ...
AbstractIn this article we introduce a systematic, holistic way of experiencing music performances t...
International audienceThis paper reports on “TOTEM” (TOuch ThE Music), a project aiming at finding i...
This thesis describes the design process to enhance the music festival experience for hearing-impair...
This paper explores the possibility of breaking the barrier between deaf and hearing people when it ...
There are difficulties in presenting nontextual or dynamic information to blind or visually impaired...
Deafblindness is a unique disability characterized by a dual sensory reduction of both hearing and v...
This public programme of exhibitions, screenings, artist talks, and workshops delivered by deafblind...
This is the author accepted manuscript. The final version is available from Oxford University Press ...
Musical interactions have the potential to increase emotional well-being, self-confidence and self-m...
The authors have developed a new hardware/software device for persons with disabilities (the MotionC...
In this paper we propose a framework for communicating performance art to deaf, blind and deaf blind...
This paper describes a system for delivering movement information from a dance performance using a m...
This paper describes a system for delivering movement information from a dance performance using a m...
It is generally understood that the human senses are interconnected and always work in relation to e...
Abstract In this article we introduce a systematic, holistic way of experiencing music performances ...
AbstractIn this article we introduce a systematic, holistic way of experiencing music performances t...
International audienceThis paper reports on “TOTEM” (TOuch ThE Music), a project aiming at finding i...
This thesis describes the design process to enhance the music festival experience for hearing-impair...
This paper explores the possibility of breaking the barrier between deaf and hearing people when it ...
There are difficulties in presenting nontextual or dynamic information to blind or visually impaired...
Deafblindness is a unique disability characterized by a dual sensory reduction of both hearing and v...
This public programme of exhibitions, screenings, artist talks, and workshops delivered by deafblind...
This is the author accepted manuscript. The final version is available from Oxford University Press ...
Musical interactions have the potential to increase emotional well-being, self-confidence and self-m...
The authors have developed a new hardware/software device for persons with disabilities (the MotionC...