Sarah Bernhardt, the greatest theatrical star of the late nineteenth century, enabled and even promoted the association of early film with the British monarchy. She did this literally, by playing the role of Queen Elizabeth in Queen Elizabeth (Les Amours de la Reine Elisabeth, Henri Desfontaines and Louis Mercanton, 1912). Bernhardt also promoted the association of the cinema with monarchy symbolically, making the medium a new empathetic vehicle for the development of celebrity mystique and global power
How do films about Queen Victoria use the Victorian monarch as a national icon? And how do their rep...
Issu du colloque international organisé par le CRIDAF (Paris 13), Passages XX-XXI (Lyon 2), la New Y...
As the world press disseminates images of the Duke and Duchess of Cambridge touring Australia, the c...
The most famous stage actress of the nineteenth century, Sarah Bernhardt enjoyed a surprising renais...
Sarah Bernhardt is the most famous actress of the late nineteenth century stage. Celebrated by an em...
Sarah Bernhardt, the great nineteenth-century theatrical actress, was also the first major internati...
Moving images of the British monarchy, in fact and fiction, are almost as old as the moving image it...
This presentation formed part of the \u27Exploring the cultural history of fame symposium\u27 held i...
Sarah Bernhardt a incarné la Dame aux camélias de nombreuses fois au théâtre en France et à l’étrang...
This report explores questions raised by materials found in the Bill Douglas Cinema Museum, Exeter. ...
Sarah Bernhardt made her fame on the stages of France in the 1870s, at the beginning of the Belle Ep...
Sarah Bernhardt a incarné la Dame aux camélias de nombreuses fois au théâtre en France et à l’étrang...
Sarah Bernhardt is a paradigmatic case study for the joining of voice and silent film. This is becau...
6 photographies, 4 impr. photoméc., 1 programme : n. et b. et coul. ; formats diversSarah Bernhardt ...
How is performance on early film newly legible in the digital archive? What implication does this ho...
How do films about Queen Victoria use the Victorian monarch as a national icon? And how do their rep...
Issu du colloque international organisé par le CRIDAF (Paris 13), Passages XX-XXI (Lyon 2), la New Y...
As the world press disseminates images of the Duke and Duchess of Cambridge touring Australia, the c...
The most famous stage actress of the nineteenth century, Sarah Bernhardt enjoyed a surprising renais...
Sarah Bernhardt is the most famous actress of the late nineteenth century stage. Celebrated by an em...
Sarah Bernhardt, the great nineteenth-century theatrical actress, was also the first major internati...
Moving images of the British monarchy, in fact and fiction, are almost as old as the moving image it...
This presentation formed part of the \u27Exploring the cultural history of fame symposium\u27 held i...
Sarah Bernhardt a incarné la Dame aux camélias de nombreuses fois au théâtre en France et à l’étrang...
This report explores questions raised by materials found in the Bill Douglas Cinema Museum, Exeter. ...
Sarah Bernhardt made her fame on the stages of France in the 1870s, at the beginning of the Belle Ep...
Sarah Bernhardt a incarné la Dame aux camélias de nombreuses fois au théâtre en France et à l’étrang...
Sarah Bernhardt is a paradigmatic case study for the joining of voice and silent film. This is becau...
6 photographies, 4 impr. photoméc., 1 programme : n. et b. et coul. ; formats diversSarah Bernhardt ...
How is performance on early film newly legible in the digital archive? What implication does this ho...
How do films about Queen Victoria use the Victorian monarch as a national icon? And how do their rep...
Issu du colloque international organisé par le CRIDAF (Paris 13), Passages XX-XXI (Lyon 2), la New Y...
As the world press disseminates images of the Duke and Duchess of Cambridge touring Australia, the c...