The last time I saw Celestina on stage, in the 2012 adaptation by Eduardo Galán, I had the impression the director had been deeply impressed by Martín de Riquer's article on the opening scene taking place in a church1. This time I feel it has been Alan Deyermond's "Hilado Cordón Cadena" which has greatly influenced Ricardo Iniesta's adaptation2, as I think can be clearly seen in the staging of his version of Celestina. The blood-red skein becomes central during Celestina's spell, who tangle..
Desde Deyermond («The name of Petrarca is almost the first thing to catch the eye when one opens La ...
This paper discusses in detail the scenes related to the universal element of the death in film and ...
La Celestina, como ficou conhecida a Tragicomedia de Calisto e Melibea, de Fernando de Rojas, é uma ...
Some days ago I stumbled upon a poster of Celestina infernal, an adaptation of Celestina by Teatro C...
Teatroteca, the video library of the Centro de Documentación de las Artes Escénicas y de la Música (...
As part of the summer theatre cycle Clásicos en verano, the company Pata Teatro will be staging Cele...
The internet lately is full of stage adaptations of Celestina. Today we are sharing a version by Tea...
RTVE has made available on-line a 1967 recording of Celestina, performed by some of the best-known a...
This paper provides a study of Alejandro Casona’s theatrical adaptation of Fernando de Rojas’ La Cel...
More than two months ago, I wrote a post on a few recent stagings of Celestina I have not had the ch...
Celestina’s text offers elements typical of the drama (such as asides, stage directions, etc.) that ...
This unit (Text, intro, and notes in Spanish) contains a brief introduction to the Spanish masterpie...
Integran este número de la revista ponencias presentadas en Studia Hispanica Medievalia VIII: Actas ...
The well-known Spanish actress Charo López interprets Celestina in this new joint production of Ron ...
This bilingual unit (Spanish/English text and translation, with intro and notes in English) contains...
Desde Deyermond («The name of Petrarca is almost the first thing to catch the eye when one opens La ...
This paper discusses in detail the scenes related to the universal element of the death in film and ...
La Celestina, como ficou conhecida a Tragicomedia de Calisto e Melibea, de Fernando de Rojas, é uma ...
Some days ago I stumbled upon a poster of Celestina infernal, an adaptation of Celestina by Teatro C...
Teatroteca, the video library of the Centro de Documentación de las Artes Escénicas y de la Música (...
As part of the summer theatre cycle Clásicos en verano, the company Pata Teatro will be staging Cele...
The internet lately is full of stage adaptations of Celestina. Today we are sharing a version by Tea...
RTVE has made available on-line a 1967 recording of Celestina, performed by some of the best-known a...
This paper provides a study of Alejandro Casona’s theatrical adaptation of Fernando de Rojas’ La Cel...
More than two months ago, I wrote a post on a few recent stagings of Celestina I have not had the ch...
Celestina’s text offers elements typical of the drama (such as asides, stage directions, etc.) that ...
This unit (Text, intro, and notes in Spanish) contains a brief introduction to the Spanish masterpie...
Integran este número de la revista ponencias presentadas en Studia Hispanica Medievalia VIII: Actas ...
The well-known Spanish actress Charo López interprets Celestina in this new joint production of Ron ...
This bilingual unit (Spanish/English text and translation, with intro and notes in English) contains...
Desde Deyermond («The name of Petrarca is almost the first thing to catch the eye when one opens La ...
This paper discusses in detail the scenes related to the universal element of the death in film and ...
La Celestina, como ficou conhecida a Tragicomedia de Calisto e Melibea, de Fernando de Rojas, é uma ...