The Experiments in Art and Technology (E.A.T.) organization was set up in 1966 by the artists Robert Rauschenberg and Robert Whitman, in association with the engineers Billy Klüver and Fred Waldhauer. Its purpose was to facilitate collaboration between artists, engineers, and scientists by producing art systems and projects outside the art sphere in a strictly defined sense. Between 1966 and 1970, E.A.T. was thus at the root of more than 600 joint projects in the United States and abroad, mos..
Reconstruction as a means of furthering knowledge, based on the practical application of historical ...
All This Stuff: Archiving the Artist explores the documentation of the creative process. From their ...
Art and Technology in the United States of America (1958-1971) : The Environment in Question The ma...
The Experiments in Art and Technology (E.A.T.) organization was set up in 1966 by the artists Robert...
The Experiments in Art and Technology (E.A.T.) organization was set up in 1966 by the artists Robert...
Experiments in Art and Technology (E.A.T.) is a renowned example of interdisciplinarity at the inter...
In North America, there are currently over 100 programs and labs committed to collaborative experime...
L'activité théorique et pratique d'Experiments in Art and Technology (E.A.T.) soulève un certain nom...
Challenging established academic and techno-scientific enclosures of interdisciplinary or boundary r...
The early stages of my work in art-technology practice and research were covered in the previous edi...
In North America, there are over one hundred programs and labs committed to collaborative experiment...
Building on decades of experience in the digital realm, leveraging its unique capacity to develop ne...
Experiments is the first in a series of unique, exhibitionscurated by Artakt with GV Art. It brings ...
Digital Art History is currently moving into a new phase. As a result of the ongoing digitization a...
When Gene Youngblood tells us that experimental art is meaningless, he is of course trying to draw o...
Reconstruction as a means of furthering knowledge, based on the practical application of historical ...
All This Stuff: Archiving the Artist explores the documentation of the creative process. From their ...
Art and Technology in the United States of America (1958-1971) : The Environment in Question The ma...
The Experiments in Art and Technology (E.A.T.) organization was set up in 1966 by the artists Robert...
The Experiments in Art and Technology (E.A.T.) organization was set up in 1966 by the artists Robert...
Experiments in Art and Technology (E.A.T.) is a renowned example of interdisciplinarity at the inter...
In North America, there are currently over 100 programs and labs committed to collaborative experime...
L'activité théorique et pratique d'Experiments in Art and Technology (E.A.T.) soulève un certain nom...
Challenging established academic and techno-scientific enclosures of interdisciplinary or boundary r...
The early stages of my work in art-technology practice and research were covered in the previous edi...
In North America, there are over one hundred programs and labs committed to collaborative experiment...
Building on decades of experience in the digital realm, leveraging its unique capacity to develop ne...
Experiments is the first in a series of unique, exhibitionscurated by Artakt with GV Art. It brings ...
Digital Art History is currently moving into a new phase. As a result of the ongoing digitization a...
When Gene Youngblood tells us that experimental art is meaningless, he is of course trying to draw o...
Reconstruction as a means of furthering knowledge, based on the practical application of historical ...
All This Stuff: Archiving the Artist explores the documentation of the creative process. From their ...
Art and Technology in the United States of America (1958-1971) : The Environment in Question The ma...