Add to ORKGConference Report by Cornelia Aust, Denise Klein, and Thomas Weller, Leibniz Institute of European History Cross-posted from http://www.hsozkult.de/conferencereport/id/tagungsberichte-7527 "femme grecque", Rålamb Kostümalbum, 1657, © commons.wikimedia.org, Nr. 56 Dress is a key marker of difference. It is closely attached to the body, part of the daily routine, and an unavoidable means of communication. The clothes people wear tell stories about their allegiances and identities but also a..
Brackeleire Martine. De La Haye (Anny) & Wilson (Elisabeth), eds. Defining Dress. Dress as an object...
Registration reopens in 2021 This international conference develops new perspectives in early modern...
This work investigates gender roles and its connection to fashion during the Northern Renaissance in...
Dress constitutes one of the most obvious and indeed most visual and visible markers of difference. ...
Addressing the subject of clothing in relation to such fundamental issues as national identity, soci...
At the turn of the seventeenth century, European printmakers began issuing single-sheet series portr...
At the turn of the seventeenth century, European printmakers began issuing single-sheet series portr...
An understanding of textiles—and their aesthetic, cultural, historical, and psychological dimensions...
International audienceA specific type of clothed body emerged in 16th-century France. Clothing put ...
International audienceThe craft of textile production has persisted in its traditional forms for mil...
Early modern courts were crucial sites for the elaboration and diffusion of specific corporeal model...
Today dressing is a sign of cultural identity. Indeed, fashion does not establish the typical and su...
Thomas Gainsborough, Le page en bleu, 1770 – 1772, huile sur toile, 165,5 x 113 cm. Type : journée d...
Clothing and dress are among the most central and common aspects of social and cultural life around ...
Dress history has come of age. Too long ignored, overlooked, and even denigrated, the study of dress...
Brackeleire Martine. De La Haye (Anny) & Wilson (Elisabeth), eds. Defining Dress. Dress as an object...
Registration reopens in 2021 This international conference develops new perspectives in early modern...
This work investigates gender roles and its connection to fashion during the Northern Renaissance in...
Dress constitutes one of the most obvious and indeed most visual and visible markers of difference. ...
Addressing the subject of clothing in relation to such fundamental issues as national identity, soci...
At the turn of the seventeenth century, European printmakers began issuing single-sheet series portr...
At the turn of the seventeenth century, European printmakers began issuing single-sheet series portr...
An understanding of textiles—and their aesthetic, cultural, historical, and psychological dimensions...
International audienceA specific type of clothed body emerged in 16th-century France. Clothing put ...
International audienceThe craft of textile production has persisted in its traditional forms for mil...
Early modern courts were crucial sites for the elaboration and diffusion of specific corporeal model...
Today dressing is a sign of cultural identity. Indeed, fashion does not establish the typical and su...
Thomas Gainsborough, Le page en bleu, 1770 – 1772, huile sur toile, 165,5 x 113 cm. Type : journée d...
Clothing and dress are among the most central and common aspects of social and cultural life around ...
Dress history has come of age. Too long ignored, overlooked, and even denigrated, the study of dress...
Brackeleire Martine. De La Haye (Anny) & Wilson (Elisabeth), eds. Defining Dress. Dress as an object...
Registration reopens in 2021 This international conference develops new perspectives in early modern...
This work investigates gender roles and its connection to fashion during the Northern Renaissance in...