This article begins by scrutinizing divergent critical views of Gordimer’s subject position and authorial agency, which locate her variously on a spectrum ranging from liberal- humanist autonomy to historical-materialist determinism. It then considers how Gordimer’s nonfiction articulates a parallel ambivalence about the reach of the writer’s imagination (and its dependence on “the potential of his own experience”), particularly regarding the ethics and feasibility of creating racially “other” characters. Its main part reads July’s People (1981), in relation to other Gordimer novels, as a similarly self-reflexive engagement with subjectivity and alterity: the otherness of the imagined future (a “potential experience”) facilitates fresh soci...
Nadine Gordimer, the Nobel prize winning South African author, deals with the complexities of “the O...
Nadine Gordimer received the Nobel Prize for Literature in October 1991, celebrating nearly half a c...
Nadine Gordimer’s late short stories in Beethoven Was One-Sixteenth Black and Loot use a fragmentary...
This article begins by scrutinizing divergent critical views of Gordimer’s subject position and auth...
Thesis (Ph.D.)-University of Natal, Durban, 1997.The aim of this study is to suggest, by selective e...
This paper purports to study and develop an aspect of Gordimer’s fiction which has often been overlo...
The article investigates the narrative modes and strategies through which the 'new' Gordimer of "Bee...
Nadine Gordimer’s fictional characters embody unease and often resentment with social class, expecte...
Nadine Gordimer’s most recent novel, The Pickup, is a novel that has its place in what Gordimer has ...
The impetus for this paper, and also its centre of concern is the puzzlement, spilling over into pla...
Nadine Gordimer, the first Nobel Prize winner of South Africa reflects in her fiction the heart rend...
Nadine Gordimer has examined two types of ideologies in some of her novels. It is because her countr...
Nadine Gordimer never gave up on the notion that new modes of justice for racial violence are linked...
Nadine Gordimer’s July’s People (1981) foresees the inevitable collapse of White South Africa and th...
This paper seeks to analyze the dystopian character of Nadine Gordimer’s No Time Like the Present an...
Nadine Gordimer, the Nobel prize winning South African author, deals with the complexities of “the O...
Nadine Gordimer received the Nobel Prize for Literature in October 1991, celebrating nearly half a c...
Nadine Gordimer’s late short stories in Beethoven Was One-Sixteenth Black and Loot use a fragmentary...
This article begins by scrutinizing divergent critical views of Gordimer’s subject position and auth...
Thesis (Ph.D.)-University of Natal, Durban, 1997.The aim of this study is to suggest, by selective e...
This paper purports to study and develop an aspect of Gordimer’s fiction which has often been overlo...
The article investigates the narrative modes and strategies through which the 'new' Gordimer of "Bee...
Nadine Gordimer’s fictional characters embody unease and often resentment with social class, expecte...
Nadine Gordimer’s most recent novel, The Pickup, is a novel that has its place in what Gordimer has ...
The impetus for this paper, and also its centre of concern is the puzzlement, spilling over into pla...
Nadine Gordimer, the first Nobel Prize winner of South Africa reflects in her fiction the heart rend...
Nadine Gordimer has examined two types of ideologies in some of her novels. It is because her countr...
Nadine Gordimer never gave up on the notion that new modes of justice for racial violence are linked...
Nadine Gordimer’s July’s People (1981) foresees the inevitable collapse of White South Africa and th...
This paper seeks to analyze the dystopian character of Nadine Gordimer’s No Time Like the Present an...
Nadine Gordimer, the Nobel prize winning South African author, deals with the complexities of “the O...
Nadine Gordimer received the Nobel Prize for Literature in October 1991, celebrating nearly half a c...
Nadine Gordimer’s late short stories in Beethoven Was One-Sixteenth Black and Loot use a fragmentary...