As he emerged from the Chauvet-Pont d’Arc Cave in the Ardèche department, discovered in December 1994 when a breath of air was detected coming out of a crevice, the British art critic and writer John Berger remained dumbstruck in front of the camera. In the cave, all is silent and obscure. How can one describe the drawings produced almost 31,000 years ago – 15,000 years before Lascaux and Altamira – without disrupting any kind of chronological narration? How can one render the incredulity bef..
National audienceStarting in 1879, with the discovery of the paintings of the Altamira cave in Spain...
This article uses Bataille’s concept of the void to illuminate “Tete-a-tete avec Antonin Artaud,” or...
A review-essay on Annamaria Ducci’s intellectual biography Henri Focillon en son temps. La liberté d...
Writing came about from the image and its effectiveness issues only from the image”. The writings co...
an untitled review of The Lascaux Notebooks, Jean-Luc Champerret, ed./tr. Philip Terry (Carcanet
A bunch of Martians lands on Earth, at Garges-les-Gonesse, for example, meet a human, and ask him wh...
This essay traverses a heterogeneous terrain, finding important links in the ideas of Jacques Derrid...
At the 42nd Venice Biennale (1986), Adalgisa Lugli organized a contemporary art exhibition titled Wu...
En 1894, l’écrivaine espagnole Emilia Pardo Bazán descend dans la grotte d’Altamira pour aller voir ...
It is in the nature of histories of modern and contemporary art to be regularly rewritten, and their...
Silence is static whereas sounds, noises and smells are dynamic. It was Carlo Carrà who declared as ...
This article examines the possible connections between language and silence in three novels by Bouba...
In the paper, I closely examine the spatial conditions and practises that support two kinds of silen...
In this paper I look into letters and paintings of Gwen John’s, an expatriate Welsh artist who lived...
In this paper I argue that a reimagining of the notion of silence as more than a sonic phenomenon is...
National audienceStarting in 1879, with the discovery of the paintings of the Altamira cave in Spain...
This article uses Bataille’s concept of the void to illuminate “Tete-a-tete avec Antonin Artaud,” or...
A review-essay on Annamaria Ducci’s intellectual biography Henri Focillon en son temps. La liberté d...
Writing came about from the image and its effectiveness issues only from the image”. The writings co...
an untitled review of The Lascaux Notebooks, Jean-Luc Champerret, ed./tr. Philip Terry (Carcanet
A bunch of Martians lands on Earth, at Garges-les-Gonesse, for example, meet a human, and ask him wh...
This essay traverses a heterogeneous terrain, finding important links in the ideas of Jacques Derrid...
At the 42nd Venice Biennale (1986), Adalgisa Lugli organized a contemporary art exhibition titled Wu...
En 1894, l’écrivaine espagnole Emilia Pardo Bazán descend dans la grotte d’Altamira pour aller voir ...
It is in the nature of histories of modern and contemporary art to be regularly rewritten, and their...
Silence is static whereas sounds, noises and smells are dynamic. It was Carlo Carrà who declared as ...
This article examines the possible connections between language and silence in three novels by Bouba...
In the paper, I closely examine the spatial conditions and practises that support two kinds of silen...
In this paper I look into letters and paintings of Gwen John’s, an expatriate Welsh artist who lived...
In this paper I argue that a reimagining of the notion of silence as more than a sonic phenomenon is...
National audienceStarting in 1879, with the discovery of the paintings of the Altamira cave in Spain...
This article uses Bataille’s concept of the void to illuminate “Tete-a-tete avec Antonin Artaud,” or...
A review-essay on Annamaria Ducci’s intellectual biography Henri Focillon en son temps. La liberté d...