The collected volume China and the West: Music, Representation, and Reception testifies to the efficacy of cross-cultural and interdisciplinary research. As its editors, Hon-Lun Yang and Michael Saffle (2017), argue, the phrase cultural encounters often refers to actual contacts between individuals or groups of people of different origins, ethnicities, or nations. In the present volume, the term encounter refers to forms of musical representation, appropriation, and discourse. A Blog Post by ..
Cross-Cultural music has been a topic of great interest in recent decades. A number of Contemporary...
The essay provides a survey of local improvising music practices in major Chinese cities in relation...
Very happy to announce the publication of the first issue of "Sinophone Musical Worlds" in China Per...
Western music reached China nearly four centuries ago, with the arrival of Christian missionaries, y...
The book focuses on encounters between China and Australia from the earliest imaginings and represen...
How audiences perceive Chineseness and the characteristics that perform this impression have become ...
This article reports on perceptions of audiencing – the active roles of witnessing and validating in...
TEN-DOESSCHATE CHU Petra (eds.) et DING Ning (eds.), Qing Encounters : Artistic Exchanges between Ch...
University of Minnesota Ph.D. dissertation.December 2018. Major: Music. Advisors: Alex Lubet, Gueri...
China's exploitation by Western imperialism is well known, but the imperialist treatment within Chin...
WOS: 000409576900010Every culture is authentic for its generation but change and transformation are ...
Abstract Recent scholarship in the field of music cognition suggests the need for increased interdis...
Taking a fundamentally chronological approach, the chapter discusses music and the various forms of ...
Abstract: As a developing ‘great world power ’ (Benson, 2002, p. 3) and especially since its accessi...
Presence Through Sound narrates and analyses, through a range of case studies on selected musics of ...
Cross-Cultural music has been a topic of great interest in recent decades. A number of Contemporary...
The essay provides a survey of local improvising music practices in major Chinese cities in relation...
Very happy to announce the publication of the first issue of "Sinophone Musical Worlds" in China Per...
Western music reached China nearly four centuries ago, with the arrival of Christian missionaries, y...
The book focuses on encounters between China and Australia from the earliest imaginings and represen...
How audiences perceive Chineseness and the characteristics that perform this impression have become ...
This article reports on perceptions of audiencing – the active roles of witnessing and validating in...
TEN-DOESSCHATE CHU Petra (eds.) et DING Ning (eds.), Qing Encounters : Artistic Exchanges between Ch...
University of Minnesota Ph.D. dissertation.December 2018. Major: Music. Advisors: Alex Lubet, Gueri...
China's exploitation by Western imperialism is well known, but the imperialist treatment within Chin...
WOS: 000409576900010Every culture is authentic for its generation but change and transformation are ...
Abstract Recent scholarship in the field of music cognition suggests the need for increased interdis...
Taking a fundamentally chronological approach, the chapter discusses music and the various forms of ...
Abstract: As a developing ‘great world power ’ (Benson, 2002, p. 3) and especially since its accessi...
Presence Through Sound narrates and analyses, through a range of case studies on selected musics of ...
Cross-Cultural music has been a topic of great interest in recent decades. A number of Contemporary...
The essay provides a survey of local improvising music practices in major Chinese cities in relation...
Very happy to announce the publication of the first issue of "Sinophone Musical Worlds" in China Per...