Fleeing with one’s back turned: toward feminist futures

Entwining the disciplines of philosophy and architecture, this essay proceeds from an account of the Anthropocene and its dark promise of a foreclosed human future toward the speculative gesture of feminist futures, with a focus on feminist architectural practices. To reflect on the ‘storms of progress’ that have issued in the Anthropocene Walter Benjamin’s famous angel of history is complemented with Bruno Latour’s more recent formulation of an angel of geohistory. Each angel posits the question of what is to be done in the aftermath of the destructions the Anthropos has wrought on a global scale, leaving behind the graffiti-like signature of human industrial toil in the very material geological constitution of the planet’s surface while altering its enclosing atmosphere. While each angel flees the material destructions of human progress they are at the same time confronted with what Isabelle Stengers calls the intrusion of Gaia, a mythical figure who cares little for human history. Drawing to a conclusion the essay ventures the speculative gesture of a feminist future and how this can be supported through feminist practices, specifically in architecture. Such a future does not seek to overcome, to escape or to flee, but as Donna Haraway would have it, to stay with the trouble, to work assiduously from the midst of the situations in which we find ourselves