The book Exhibiting Atrocity by Amy Sodaro (2017) addresses the reasons for which societies attempt to come to terms with past atrocities and trauma through the creation of memorial museums, as a novel cultural form of commemoration. A Blog Post by Pablo Markin. Sodaro (2017) explores memorial museums as forms that express an ambiguous relationship to the violence of the past, despite their missions to strengthen the democratic values of freedom, tolerance, and human rights. As this author a..
Abstract: Wars, suffering, torture, hundreds of thou-sands of people that have been displaced or mis...
Museums are platforms that empower us to bring civilization to a higher level; they exist to expand ...
Memorials and the Cult of Apology examines how contemporary memorials have come to embody more than ...
Through a global comparative approach, Amy Sodaro uses in-depth case studies of five exemplary memor...
This issue brings together analyses of power relations faced by museums around the world that exhibi...
With the increased threat of geopolitical violence in the 21st century (bioterrorism, nuclear war, g...
This research explores how three memorial museums in “Latin America” exhibit trauma and violence fro...
This thesis aims to explore the relationship between memorial museums and survivors, the moral and e...
This article examines if and how memorial museums exhibit graphic atrocity photographs, including pi...
This paper discusses Holocaust memorial culture and analyzes how museums, memorials sites, tourism, ...
This piece analyzes the mission statements of four institutions that commemorate Genocide: The Unite...
In this work, I engage in comparative analysis of the institutional histories of three American comm...
The fields of social memory and museum studies share a similar concern for intergenerational dynamic...
Attempts to publicly address past social abuses and genocide increasingly involve public pedagogical...
Screen media are increasingly a pervasive feature of our new memory landscape. Inside the museum the...
Abstract: Wars, suffering, torture, hundreds of thou-sands of people that have been displaced or mis...
Museums are platforms that empower us to bring civilization to a higher level; they exist to expand ...
Memorials and the Cult of Apology examines how contemporary memorials have come to embody more than ...
Through a global comparative approach, Amy Sodaro uses in-depth case studies of five exemplary memor...
This issue brings together analyses of power relations faced by museums around the world that exhibi...
With the increased threat of geopolitical violence in the 21st century (bioterrorism, nuclear war, g...
This research explores how three memorial museums in “Latin America” exhibit trauma and violence fro...
This thesis aims to explore the relationship between memorial museums and survivors, the moral and e...
This article examines if and how memorial museums exhibit graphic atrocity photographs, including pi...
This paper discusses Holocaust memorial culture and analyzes how museums, memorials sites, tourism, ...
This piece analyzes the mission statements of four institutions that commemorate Genocide: The Unite...
In this work, I engage in comparative analysis of the institutional histories of three American comm...
The fields of social memory and museum studies share a similar concern for intergenerational dynamic...
Attempts to publicly address past social abuses and genocide increasingly involve public pedagogical...
Screen media are increasingly a pervasive feature of our new memory landscape. Inside the museum the...
Abstract: Wars, suffering, torture, hundreds of thou-sands of people that have been displaced or mis...
Museums are platforms that empower us to bring civilization to a higher level; they exist to expand ...
Memorials and the Cult of Apology examines how contemporary memorials have come to embody more than ...