The idea of raising the question of Kang Youwei’s cosmopolitanism and, more specifically, his Indian experience of it, emerged when I informed Professor Anne Cheng of an upcoming trip to China at the invitation of Qingdao Municipality and its cultural association (青岛市文学艺术界联合会), on the occasion of a symposium about Kang Youwei and calligraphy. I was on my way back to France after four years in China and four more years in India. The question of cosmopolitanism is a delicate one in my view, esp..
The contradictions of modernisation run through the whole of modern Chinese history. The abundance o...
Much research on contemporary Asian cinema is focused within national boundaries or takes an outrigh...
When Santha Rama Rau burst onto the international literary scene in 1945 with her first book, Home ...
Introduction A decade ago, in his address at the 66th session of the Indian History Congress, Prof. ...
This collection of articles is mainly the result of an international conference organised by the Cha...
This paper examines the comparisons between India and China that were advanced by two exiled Chinese...
This collection of articles is partly the result of an international conference organised by the Cha...
Roger Darrobers : Kang Youwei. From Reformed Confucianism to Universal Utopia. The three classics o...
The Chinese artist offered a firm handshake and his business card. The Indian curator hesitated for ...
After reading a short excerpt from Pallavi Aiyar‘s new book, Smoke and Mirrors: An Experience of Chi...
© the author(s). The existing studies conducted in the field of social ideals are characterised by t...
In rhetorics, India-China relations are largely perceived to be pivoted in the bedrock principle of ...
The understanding of another culture leads to both respect for that culture, and a new understanding...
Have you ever suspected that all this recent talk about China and globalization might be just a litt...
Last Friday, China Beat and the UCI International Center for Writing and Translation (ICWT\u3c) host...
The contradictions of modernisation run through the whole of modern Chinese history. The abundance o...
Much research on contemporary Asian cinema is focused within national boundaries or takes an outrigh...
When Santha Rama Rau burst onto the international literary scene in 1945 with her first book, Home ...
Introduction A decade ago, in his address at the 66th session of the Indian History Congress, Prof. ...
This collection of articles is mainly the result of an international conference organised by the Cha...
This paper examines the comparisons between India and China that were advanced by two exiled Chinese...
This collection of articles is partly the result of an international conference organised by the Cha...
Roger Darrobers : Kang Youwei. From Reformed Confucianism to Universal Utopia. The three classics o...
The Chinese artist offered a firm handshake and his business card. The Indian curator hesitated for ...
After reading a short excerpt from Pallavi Aiyar‘s new book, Smoke and Mirrors: An Experience of Chi...
© the author(s). The existing studies conducted in the field of social ideals are characterised by t...
In rhetorics, India-China relations are largely perceived to be pivoted in the bedrock principle of ...
The understanding of another culture leads to both respect for that culture, and a new understanding...
Have you ever suspected that all this recent talk about China and globalization might be just a litt...
Last Friday, China Beat and the UCI International Center for Writing and Translation (ICWT\u3c) host...
The contradictions of modernisation run through the whole of modern Chinese history. The abundance o...
Much research on contemporary Asian cinema is focused within national boundaries or takes an outrigh...
When Santha Rama Rau burst onto the international literary scene in 1945 with her first book, Home ...