Questions such as Is electronic music the sound of the future? or Does electronic music still have its liberating capacity? or Is electronic music capable of renewing itself? were pivotal for the whole exhibition, as explained by Marie-Pauline Martin, Director of the Music Museum in Paris and Laurent Bayle, General Director of the Cité de la Musique-Philharmonie de Paris, in their introduction to the exhibition. The answer to this set of questions was a rich, immersive experience that present..
“Musical instrument design is one of the most sophisticated and specialized technologies that we hum...
The first entry in Hugh Davies’ “A History of Recorded Sound” (1979) was dated ‘unknown (mostly B.C....
This article explores the workings of genre in experimental electronic musics. Predominantly sociolo...
After a century of great upheaval in music, the twenty-first century is demonstrating that it will p...
Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by ...
Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by ...
Like every art form, electronic music allows us to gain insight into multiple phenomena. This text i...
Electronic Dance Music, or EDM, is a genre of music that has enjoyed success. Although it grew out o...
The presentation of electronic musical instruments in museum and other institutional contexts prompt...
Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by ...
In today\u27s world of music, everything is constantly changing alongside the progression of technol...
Edited Research Companion (Emmerson) with contributions by 26 authors.The theme of this Research Com...
The topic of the last EMS Conference, if electroacoustic music is still today an experimental music,...
UID/EAT/00472/2013This paper sets out to discuss the opportunities opened up for sound and music exh...
This annotated bibliography is meant for you – the person who wishes to learn more about electronic ...
“Musical instrument design is one of the most sophisticated and specialized technologies that we hum...
The first entry in Hugh Davies’ “A History of Recorded Sound” (1979) was dated ‘unknown (mostly B.C....
This article explores the workings of genre in experimental electronic musics. Predominantly sociolo...
After a century of great upheaval in music, the twenty-first century is demonstrating that it will p...
Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by ...
Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by ...
Like every art form, electronic music allows us to gain insight into multiple phenomena. This text i...
Electronic Dance Music, or EDM, is a genre of music that has enjoyed success. Although it grew out o...
The presentation of electronic musical instruments in museum and other institutional contexts prompt...
Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by ...
In today\u27s world of music, everything is constantly changing alongside the progression of technol...
Edited Research Companion (Emmerson) with contributions by 26 authors.The theme of this Research Com...
The topic of the last EMS Conference, if electroacoustic music is still today an experimental music,...
UID/EAT/00472/2013This paper sets out to discuss the opportunities opened up for sound and music exh...
This annotated bibliography is meant for you – the person who wishes to learn more about electronic ...
“Musical instrument design is one of the most sophisticated and specialized technologies that we hum...
The first entry in Hugh Davies’ “A History of Recorded Sound” (1979) was dated ‘unknown (mostly B.C....
This article explores the workings of genre in experimental electronic musics. Predominantly sociolo...