This chapter is about beghards in Maastricht who, around 1500, collected more than 150 single-leaf woodcut prints and engravings and glued them into an elaborate book of hours, the hulk of which is now in London, British Library Add. Ms. 24332. This is also the story of a curator who, in 1861, cut the prints out of the manuscript in order to mount them, according to their style or ‘school’, thereby giving them a completely different function. It is a case study of a larger group of books that..
Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illumi...
The following paper by Silvia Massa was first presented at a session sponsored by the Bibliographica...
The University of St. Andrews Library Open Access Fund supported this Open Access publication. The L...
In this ingenious study, Kathryn Rudy takes the reader on a journey to trace the birth, life and aft...
The transition from manuscript to print technologies was not smooth. This was due in part to the bar...
Books before print – manuscripts – were modified continuously throughout the medieval period. Focusi...
THE late D. H. Turner, Deputy Keeper in the British Library's Department of Manuscripts, besides hav...
As part of my regular job as curator of illuminated manuscripts at the Koninklijke Bibliotheek (from...
The Bodleian Library, Oxford has an important collection of eight blockbooks printed in the fifteent...
"In this ingenious study, Kathryn Rudy takes the reader on a journey to trace the birth, life and af...
Includes 3 woodcuts."The cuts in this edition [of the Chronik von dem Heiligtum auf dem Berg Andechs...
Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illumi...
On cover: German woodcuts and metal cuts of the fifteenth century in the British Musem.Preface signe...
"A collection of thirty-eight old wood cuts, (collected in Germany) illustrative of the New Testamen...
Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illumi...
Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illumi...
The following paper by Silvia Massa was first presented at a session sponsored by the Bibliographica...
The University of St. Andrews Library Open Access Fund supported this Open Access publication. The L...
In this ingenious study, Kathryn Rudy takes the reader on a journey to trace the birth, life and aft...
The transition from manuscript to print technologies was not smooth. This was due in part to the bar...
Books before print – manuscripts – were modified continuously throughout the medieval period. Focusi...
THE late D. H. Turner, Deputy Keeper in the British Library's Department of Manuscripts, besides hav...
As part of my regular job as curator of illuminated manuscripts at the Koninklijke Bibliotheek (from...
The Bodleian Library, Oxford has an important collection of eight blockbooks printed in the fifteent...
"In this ingenious study, Kathryn Rudy takes the reader on a journey to trace the birth, life and af...
Includes 3 woodcuts."The cuts in this edition [of the Chronik von dem Heiligtum auf dem Berg Andechs...
Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illumi...
On cover: German woodcuts and metal cuts of the fifteenth century in the British Musem.Preface signe...
"A collection of thirty-eight old wood cuts, (collected in Germany) illustrative of the New Testamen...
Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illumi...
Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illumi...
The following paper by Silvia Massa was first presented at a session sponsored by the Bibliographica...
The University of St. Andrews Library Open Access Fund supported this Open Access publication. The L...