Contesting and Appropriating Chineseness in Sinophone Music

The first special issue of China Perspectives on “Sinophone Musical Worlds” (2019/3) laid the theoretical foundation for a musical approach to Sinophone studies (Amar 2019). This first issue emphasised the importance of a “place-based” analysis of the global circulation of artistic creations, promoted in the field of Sinophone studies by Shu-mei Shih (2007), and in cultural studies by Yiu Fai Chow and Jeroen de Kloet (2013) as well as Marc Moskowitz (2010), among others. The articles covered ..