London : 22 septembe 2020 2h00pm - 4h00pm : Pedro Ximénez Abril y Tirado (1784-1856) was one of Latin America’s most successful and prolific composers of the early 19th century. His work spanned the critical period of the establishment of independent Latin American states in the period after the end of the Spanish Empire. Known at the time as “El sinfonista de los andes”, he learned his craft during colonial years, but was able to contribute to the body of early postcolonial repertoire. In..
This article proposes the use of works of art music as a source for the study of Andean popular genr...
Luis Álvares (or Alves) Pinto was the first Brazilian to receive a musical formation in the Europe ...
During the efforts in Mexico in the early twentieth century to craft a national musical identity, se...
Since the mid-nineteenth century the name of Pedro Ximénez Abrill Tirado has been known in musicolog...
This dissertation explores the choices involved in being a composer in Latin America during the last...
Historia de la Música Boliviana (History of Bolivian Music) was published by composer, violinist, an...
The Latin American centennial celebrations of independence (ca.1909-1925) constituted a key moment i...
Mexican music, at the turn of the 20th century, was primarily composed, taught, and performed follow...
This project presents an anthology of choral music, with examples from periods from the colonial tim...
In recent years, the music of Latin America has become of great interest to music researchers and ha...
This article uses concepts of Occidentalism and the musical analysis of a funerary responsory by nin...
This article uses concepts of Occidentalism and the musical analysis of a funerary responsory by nin...
The dioceses of Chiapas (1548) and of Tulancingo (1866) were founded at distant times and separate p...
This Dissertation Project comprises recordings of Argentine art songs. The discs are approximately ...
The American musical scene, since 1950, has been complex and varied, and the musical developments in...
This article proposes the use of works of art music as a source for the study of Andean popular genr...
Luis Álvares (or Alves) Pinto was the first Brazilian to receive a musical formation in the Europe ...
During the efforts in Mexico in the early twentieth century to craft a national musical identity, se...
Since the mid-nineteenth century the name of Pedro Ximénez Abrill Tirado has been known in musicolog...
This dissertation explores the choices involved in being a composer in Latin America during the last...
Historia de la Música Boliviana (History of Bolivian Music) was published by composer, violinist, an...
The Latin American centennial celebrations of independence (ca.1909-1925) constituted a key moment i...
Mexican music, at the turn of the 20th century, was primarily composed, taught, and performed follow...
This project presents an anthology of choral music, with examples from periods from the colonial tim...
In recent years, the music of Latin America has become of great interest to music researchers and ha...
This article uses concepts of Occidentalism and the musical analysis of a funerary responsory by nin...
This article uses concepts of Occidentalism and the musical analysis of a funerary responsory by nin...
The dioceses of Chiapas (1548) and of Tulancingo (1866) were founded at distant times and separate p...
This Dissertation Project comprises recordings of Argentine art songs. The discs are approximately ...
The American musical scene, since 1950, has been complex and varied, and the musical developments in...
This article proposes the use of works of art music as a source for the study of Andean popular genr...
Luis Álvares (or Alves) Pinto was the first Brazilian to receive a musical formation in the Europe ...
During the efforts in Mexico in the early twentieth century to craft a national musical identity, se...