The title of Gerald Dawe’s new collection of essays on modern Irish writing is taken from Hugo Hamilton’s famous novel, The Speckled People. Dawe opens his book by quoting “You can’t be afraid of saying the opposite, even if you look like a fool and everybody thinks you’re in the wrong country, speaking the wrong language” (p. vi). This opening sentence is a relevant guide to Dawe’s essays, in which the TCD professor Emeritus tries to lead a quiet combat to conjure up forgotten authors (such ..
The Wild Geese Press launches with a collection to showcase second-generation Irish writers in Brita...
Since the mid-1990s Ireland has rapidly changed into a multicultural society and the migrant populat...
In this book, Brian Dooley traces the history of prominent and unsung second/third generation indivi...
Arthur, Chris. Words of the Grey Wind – Family and Epiphany in Ulster. Belfast: Blackstaff Press, 20...
Brian Friel‘s acclaimed Translations, suggestively written in English, captures the moment in the hi...
Master of ArtsDepartment of EnglishKatherine KarlinFintan O’Toole proposes that Irish modernist writ...
Focusing on non-fictional and fictional memoirs, respectively Hugo Hamilton's The Speckled People (2...
Critics are often fascinated by the relationship between a poet’s poetic oeuvre and their prose writ...
Gaïd Girard’s collection of essays, the proceedings of a symposium on 20th century Irish literature’...
This book is dedicated to the late Professor Werner Huber whose contribution to Irish studies in Aus...
In the wake of his Staging Ireland : Representations in Shakespeare and Renaissance Drama (2007), St...
This article examines the importance of ‘Englishness’ as a thematic element in the poetry and critic...
peer-reviewedThe name of George Egerton (Mary Chavelita Dunne Bright) (1859–1945) became practicall...
This volume of essays published by Cois Life provides an excellent overview of the work of contempor...
This special number of The South Carolina Review (vol. 43, no. 1, fall 2010), guest-edited by Cather...
The Wild Geese Press launches with a collection to showcase second-generation Irish writers in Brita...
Since the mid-1990s Ireland has rapidly changed into a multicultural society and the migrant populat...
In this book, Brian Dooley traces the history of prominent and unsung second/third generation indivi...
Arthur, Chris. Words of the Grey Wind – Family and Epiphany in Ulster. Belfast: Blackstaff Press, 20...
Brian Friel‘s acclaimed Translations, suggestively written in English, captures the moment in the hi...
Master of ArtsDepartment of EnglishKatherine KarlinFintan O’Toole proposes that Irish modernist writ...
Focusing on non-fictional and fictional memoirs, respectively Hugo Hamilton's The Speckled People (2...
Critics are often fascinated by the relationship between a poet’s poetic oeuvre and their prose writ...
Gaïd Girard’s collection of essays, the proceedings of a symposium on 20th century Irish literature’...
This book is dedicated to the late Professor Werner Huber whose contribution to Irish studies in Aus...
In the wake of his Staging Ireland : Representations in Shakespeare and Renaissance Drama (2007), St...
This article examines the importance of ‘Englishness’ as a thematic element in the poetry and critic...
peer-reviewedThe name of George Egerton (Mary Chavelita Dunne Bright) (1859–1945) became practicall...
This volume of essays published by Cois Life provides an excellent overview of the work of contempor...
This special number of The South Carolina Review (vol. 43, no. 1, fall 2010), guest-edited by Cather...
The Wild Geese Press launches with a collection to showcase second-generation Irish writers in Brita...
Since the mid-1990s Ireland has rapidly changed into a multicultural society and the migrant populat...
In this book, Brian Dooley traces the history of prominent and unsung second/third generation indivi...