Volume 42 of INTERFACES issues is a miscellany, a gathering of articles not explicitly connected by a shared subject or theme. Nevertheless, beyond metonomy, they are united in their focus on the word and image nexus, and they do raise, around different subjects, ever-present verbal-visual issues. In “Illustrer Les sentier de la creation: des cheminements singuliers,” Alice Scheer selects six samples from Albert Skira’s twenty-three volume series entitled Les sentiers de la creation—texts for..
This article focuses on Michael Joyce‘s novel was and Alexandra Grant‘s painting babel in an attempt...
International audienceThis, the first of two volumes featuring the topic of gestures, presents a sel...
Interfaces define how research material is presented. They shape the view recipients acquire from h...
The 2015 Interfaces conference, held at Paris Diderot University, invited specialists of history, ar...
“This revelation was a lancing of my spontaneous circular designs, both as a meditative trace and le...
How can we study the interface of scholarly knowledge across print and digital epochs? To ask about ...
International audienceIssue 5 of Interfaces – which is reproduced in this number – contains among ot...
This video introduces the thematic contributions on ‘Experimental Art’.La vidéo présente les contrib...
This thesis addresses the value of employing noise in the formulation of interfaces that engage in s...
Issue No. 6 is the second open issue of Interfaces: A Journal of Medieval European Literatures. It c...
Issue No. 4 is the first open issue of Interfaces: A Journal of Medieval European Literatures. It co...
Graphical interfaces to digital scholarly editions are usually regarded as disconnected from the con...
Traditional art forms have contributed greatly to the interactive design industry and many designers...
International audienceThis article proposes to explore new forms of writing at the crossroads of soc...
les actes de la conférence ont fait l'objet d'une publication en ligne sur le site de l'université P...
This article focuses on Michael Joyce‘s novel was and Alexandra Grant‘s painting babel in an attempt...
International audienceThis, the first of two volumes featuring the topic of gestures, presents a sel...
Interfaces define how research material is presented. They shape the view recipients acquire from h...
The 2015 Interfaces conference, held at Paris Diderot University, invited specialists of history, ar...
“This revelation was a lancing of my spontaneous circular designs, both as a meditative trace and le...
How can we study the interface of scholarly knowledge across print and digital epochs? To ask about ...
International audienceIssue 5 of Interfaces – which is reproduced in this number – contains among ot...
This video introduces the thematic contributions on ‘Experimental Art’.La vidéo présente les contrib...
This thesis addresses the value of employing noise in the formulation of interfaces that engage in s...
Issue No. 6 is the second open issue of Interfaces: A Journal of Medieval European Literatures. It c...
Issue No. 4 is the first open issue of Interfaces: A Journal of Medieval European Literatures. It co...
Graphical interfaces to digital scholarly editions are usually regarded as disconnected from the con...
Traditional art forms have contributed greatly to the interactive design industry and many designers...
International audienceThis article proposes to explore new forms of writing at the crossroads of soc...
les actes de la conférence ont fait l'objet d'une publication en ligne sur le site de l'université P...
This article focuses on Michael Joyce‘s novel was and Alexandra Grant‘s painting babel in an attempt...
International audienceThis, the first of two volumes featuring the topic of gestures, presents a sel...
Interfaces define how research material is presented. They shape the view recipients acquire from h...