“This revelation was a lancing of my spontaneous circular designs, both as a meditative trace and leaving a trace of permanence, of which the dance lives and dies in one act of execution.”(Carolyn Carlson 37) Following up on the previous volume on “Gestures and their Traces”, this new issue of Interfaces presents its second selection of essays published in the wake of the conference that was held at the Université de Bourgogne (Dijon, France) in June 2017 (“Gestures in Texts and the Visual Ar..
International audienceThe stereotype of creativity as an isolated, individual activity has given way...
The live, embodied, material, and interactive qualities of performance have made it a notable means ...
This is an element of an exposition by Geir Harald Samuelsen based on the materials from an exhibiti...
“with a gesture which none that saw it ever forgot” (Woolf 93) This, the first of two volumes featur...
International audienceThis, the first of two volumes featuring the topic of gestures, presents a sel...
This part-performance, part-presentation was given as a contribution to the closed colloquium 'Exten...
The 2015 Interfaces conference, held at Paris Diderot University, invited specialists of history, ar...
This essay—part of a larger project of constructing a new, historically informed philosophy of dance...
“Dance is an art derived from life itself, since it is nothing more nor less than the action of the ...
This article is a close reading of the gestures in selected paintings by Valentin de Boulogne exhibi...
Due to Covid-19, the conference was held fully online.This paper presentation will take its departur...
Most human-computer interfaces are built on the paradigm of manipulating abstract representations. T...
The book coincides with an international conference of the same name, taking place at The Bartlett S...
The following article refers to a performed paper, Did the Paradigm Shift for You, Darling? given as...
International audienceTranlated from : Michel Bernard, Généalogie du jugement artistique, suivi de c...
International audienceThe stereotype of creativity as an isolated, individual activity has given way...
The live, embodied, material, and interactive qualities of performance have made it a notable means ...
This is an element of an exposition by Geir Harald Samuelsen based on the materials from an exhibiti...
“with a gesture which none that saw it ever forgot” (Woolf 93) This, the first of two volumes featur...
International audienceThis, the first of two volumes featuring the topic of gestures, presents a sel...
This part-performance, part-presentation was given as a contribution to the closed colloquium 'Exten...
The 2015 Interfaces conference, held at Paris Diderot University, invited specialists of history, ar...
This essay—part of a larger project of constructing a new, historically informed philosophy of dance...
“Dance is an art derived from life itself, since it is nothing more nor less than the action of the ...
This article is a close reading of the gestures in selected paintings by Valentin de Boulogne exhibi...
Due to Covid-19, the conference was held fully online.This paper presentation will take its departur...
Most human-computer interfaces are built on the paradigm of manipulating abstract representations. T...
The book coincides with an international conference of the same name, taking place at The Bartlett S...
The following article refers to a performed paper, Did the Paradigm Shift for You, Darling? given as...
International audienceTranlated from : Michel Bernard, Généalogie du jugement artistique, suivi de c...
International audienceThe stereotype of creativity as an isolated, individual activity has given way...
The live, embodied, material, and interactive qualities of performance have made it a notable means ...
This is an element of an exposition by Geir Harald Samuelsen based on the materials from an exhibiti...