Picturing Death: 1200–1600 explores the visual culture of mortality over the course of four centuries that witnessed a remarkable flourishing of imagery focused on the themes of death, dying, and the afterlife. In doing so, this volume sheds light on issues that unite two periods—the Middle Ages and the Renaissance—that are often understood as diametrically opposed. The studies collected here cover a broad visual terrain, from tomb sculpture to painted altarpieces, from manuscripts to printed..
ABSTRACT: The article focuses on the problem of creating the image of Death by contemporary artists....
Contemporary conversations about death and dying are lost and unsatisfying on many levels. This phen...
In this written part of the Bachelor’s thesis I present my artwork considering death and the fear of...
Nicolas Poussin, La Mort de Chioné, vers 1622, huile sur toile, 109,5 x 159,5 cm, Lyon, Musée des Be...
Includes bibliographical references (pages 281-295) and index.Introduction: The Mediating Image of D...
This dissertation examines approaches to illustrating the Three Living and the Three Dead, a moraliz...
The first-ever critical anthology of the death arts in Renaissance England, this book draws together...
Death, being ‘amenable to images’ (Philippe Ariès), links up with other images and texts...
This analysis is on the function of cadaver or transi tombs in the south of England and Germany from...
This thesis examines attitudes and approaches towards death, as well as aesthetic representations of...
In premodern times, death was a more visible phenomenon than now owing to the ways in which dying an...
In its present form and throughout Western civilization, capturing the image of the cadaver, whether...
An interesting topic for a presentation/paper in our seminar could be the cultural representation of...
In premodern times, death was a more visible phenomenon than now, due to high mortality rates, but a...
Medieval representations of death can illuminate how individuals conceptualised the experience. The ...
ABSTRACT: The article focuses on the problem of creating the image of Death by contemporary artists....
Contemporary conversations about death and dying are lost and unsatisfying on many levels. This phen...
In this written part of the Bachelor’s thesis I present my artwork considering death and the fear of...
Nicolas Poussin, La Mort de Chioné, vers 1622, huile sur toile, 109,5 x 159,5 cm, Lyon, Musée des Be...
Includes bibliographical references (pages 281-295) and index.Introduction: The Mediating Image of D...
This dissertation examines approaches to illustrating the Three Living and the Three Dead, a moraliz...
The first-ever critical anthology of the death arts in Renaissance England, this book draws together...
Death, being ‘amenable to images’ (Philippe Ariès), links up with other images and texts...
This analysis is on the function of cadaver or transi tombs in the south of England and Germany from...
This thesis examines attitudes and approaches towards death, as well as aesthetic representations of...
In premodern times, death was a more visible phenomenon than now owing to the ways in which dying an...
In its present form and throughout Western civilization, capturing the image of the cadaver, whether...
An interesting topic for a presentation/paper in our seminar could be the cultural representation of...
In premodern times, death was a more visible phenomenon than now, due to high mortality rates, but a...
Medieval representations of death can illuminate how individuals conceptualised the experience. The ...
ABSTRACT: The article focuses on the problem of creating the image of Death by contemporary artists....
Contemporary conversations about death and dying are lost and unsatisfying on many levels. This phen...
In this written part of the Bachelor’s thesis I present my artwork considering death and the fear of...