Add to ORKGDebarchana Baruah, 21st Century Retro: Mad Men and 1960s America in Film and Television, transcript-Verlag, 2021. Numerous contemporary televisual productions revisit the past but direct their energies towards history's non-events and anti-heroic subjectivities. Debarchana Baruah offers a vocabulary to discuss these, using Mad Men as a primary case study and supplementing the analysis with other examples from the US and around the world. She takes a fundamentally interdisciplinary approach ..
textMoving from the basic assumption that media and television are vital sites of memory, pivotal sp...
Die AMC-Serie Mad Men hat für ihre Darstellung der 50er und 60er Jahre des 21. Jahrhunderts sowohl L...
When Mad Men first aired in the summer of 2007, it was more than just a television series with the u...
Mad Men utilizes television, quotes television and contemplates and negotiates its role, to the exte...
This edited collection examines the enduringly popular television series Mad Men, as it still captiv...
Memories by Mad Men: Cultural Memory, Television, and early 1960s Domesticity, is an interdisciplina...
Here, I argue that the hybrid serial form is significant in the way Mad Men chooses to tell its vers...
Having ceased production in 2015, Mad Men is history. It remains, however, an apt example of the way...
As an epitome of postmodern television, Mad Men engages in narrative breaks, non-linear storytelling...
The neoliberal cultural mode of postmodernity reduces history to a set of discourses with the concom...
Since the show's debut in 2007, Mad Men has invited viewers to immerse themselves in the lush period...
In my bachelor thesis Mad men: a study of TV series I am analyzing various factors, that led to conc...
As a popular contemporary text, the appeal of cable television\u27s Mad Men (AMC) lies in its capaci...
Television—like all other artforms—is informed by historical context; furthermore, comedy is a centu...
Book chapter AMC’s Mad Men and the Politics of Nostalgia from Media and Nostalgia: Yearning for th...
textMoving from the basic assumption that media and television are vital sites of memory, pivotal sp...
Die AMC-Serie Mad Men hat für ihre Darstellung der 50er und 60er Jahre des 21. Jahrhunderts sowohl L...
When Mad Men first aired in the summer of 2007, it was more than just a television series with the u...
Mad Men utilizes television, quotes television and contemplates and negotiates its role, to the exte...
This edited collection examines the enduringly popular television series Mad Men, as it still captiv...
Memories by Mad Men: Cultural Memory, Television, and early 1960s Domesticity, is an interdisciplina...
Here, I argue that the hybrid serial form is significant in the way Mad Men chooses to tell its vers...
Having ceased production in 2015, Mad Men is history. It remains, however, an apt example of the way...
As an epitome of postmodern television, Mad Men engages in narrative breaks, non-linear storytelling...
The neoliberal cultural mode of postmodernity reduces history to a set of discourses with the concom...
Since the show's debut in 2007, Mad Men has invited viewers to immerse themselves in the lush period...
In my bachelor thesis Mad men: a study of TV series I am analyzing various factors, that led to conc...
As a popular contemporary text, the appeal of cable television\u27s Mad Men (AMC) lies in its capaci...
Television—like all other artforms—is informed by historical context; furthermore, comedy is a centu...
Book chapter AMC’s Mad Men and the Politics of Nostalgia from Media and Nostalgia: Yearning for th...
textMoving from the basic assumption that media and television are vital sites of memory, pivotal sp...
Die AMC-Serie Mad Men hat für ihre Darstellung der 50er und 60er Jahre des 21. Jahrhunderts sowohl L...
When Mad Men first aired in the summer of 2007, it was more than just a television series with the u...