This practice-based thesis proposes that the nuclear test site at Maralinga, South Australia is a reluctant and traumatic archive comprised of material and media. The material archive is the physical evidence of the tests and is mostly inaccessible, interred in radioactive burial trenches. The media archive is dispersed and diverse and includes photography, maps, film, documents, and objects. Combined, the two archives constitute the Material-Media Histories of Maralinga. It is an archive of the recent nuclear past and the radioactive deep future; an archive of secrecy and betrayal, of disrupted songlines and broken futures. The thesis begins with the 2014 return of the land to the Maralinga Tjarutja people. The status of the land – hig...
Thesis (Master's)--University of Washington, 2018This thesis examines the reclamation of abandoned C...
Ever since Jerry Van Graan first stumbled upon golden artefacts in 1933, Mapungubwe - an Iron Age ci...
This essay examines the creative processes, experimentation, technical approaches, and audience expe...
This doctoral thesis presents an analysis of how audiovisual media participates in US extraterritori...
During South Australia's short settler history, it has hosted almost every aspect of the nuclear fue...
The paper analyses cartographies of nuclearism and colonial-native relations in terms of the exclusi...
Critical Masses is a multidisciplinary pilot project that aims to graphically represent and mediate ...
This thesis examines aspects of the British nuclear tests in Australia to draw conclusions about the...
In this thesis, I examine artwork made by Indigenous artists who challenge ongoing harms from atomic...
Access to resources and the holding of dominant perceptions about the environment is about power, th...
This article explores the significance of footage of the sacred ceremonies of indigenous people in 1...
This dual creative/critical thesis examines the impact and legacy of the British nuclear testing pro...
The Island of Rottnest is commonly known to Noongar1 people as Wadjemup, “place across the river” or...
The Yirrkala Film Project records many aspects of the life of the Yolngu people of northeast Arnhem ...
The toxic legacies of nuclear weapons testing have created many drawn-out instances of environmental...
Thesis (Master's)--University of Washington, 2018This thesis examines the reclamation of abandoned C...
Ever since Jerry Van Graan first stumbled upon golden artefacts in 1933, Mapungubwe - an Iron Age ci...
This essay examines the creative processes, experimentation, technical approaches, and audience expe...
This doctoral thesis presents an analysis of how audiovisual media participates in US extraterritori...
During South Australia's short settler history, it has hosted almost every aspect of the nuclear fue...
The paper analyses cartographies of nuclearism and colonial-native relations in terms of the exclusi...
Critical Masses is a multidisciplinary pilot project that aims to graphically represent and mediate ...
This thesis examines aspects of the British nuclear tests in Australia to draw conclusions about the...
In this thesis, I examine artwork made by Indigenous artists who challenge ongoing harms from atomic...
Access to resources and the holding of dominant perceptions about the environment is about power, th...
This article explores the significance of footage of the sacred ceremonies of indigenous people in 1...
This dual creative/critical thesis examines the impact and legacy of the British nuclear testing pro...
The Island of Rottnest is commonly known to Noongar1 people as Wadjemup, “place across the river” or...
The Yirrkala Film Project records many aspects of the life of the Yolngu people of northeast Arnhem ...
The toxic legacies of nuclear weapons testing have created many drawn-out instances of environmental...
Thesis (Master's)--University of Washington, 2018This thesis examines the reclamation of abandoned C...
Ever since Jerry Van Graan first stumbled upon golden artefacts in 1933, Mapungubwe - an Iron Age ci...
This essay examines the creative processes, experimentation, technical approaches, and audience expe...