Faulkner situates the history of U.S. cultural and narrative forms in the context of the larger histories of the hemispheric Americas in ways that are defining of the relationship between U.S. and Latin American fiction. In this paper, I argue that it is important to ask what happens if we pay attention to these inter-American connections in Faulkner’s works. How does the recognition of these transnational features affect our understanding of Faulkner in particular and American (literary) modernisms generally? I explore what emerges from a view of Faulkner in relation to what we may term the “global South.” I suggest that viewing Faulkner in this manner offers the possibility of understanding him not simply as a writer of the American Sou...
Reconstructing Faulkner\u27s World: The Fictional Status of the Chronology and Genealogy in Absalom,...
Miscegenation and Progression: The First Americans of Jean Toomer and William Faulkner / Andrew Lei...
An Error in Canonicity, or, A Fuller Story of Faulkner\u27s Return to Print Culture, 1944-1951 / Joh...
Beginning with the Nagano Seminar that Faulkner gave in post-war Japan, this paper discusses his reg...
William Faulkner, Lawrence Stallings, and the Chronicling of World War I / Jason Fichtel, Joliet Jun...
Much of Faulkner\u27s writing revolves around an image of the South as a backward stagnant region bu...
Edited by Robert W. Hamblin and Ann J. Abadie University Press of Mississippi (Hardcover, $45.00, IS...
Visions of Southern Nationalism: A Historical Reassessment of Works by William Faulkner / Daniel Fer...
In the first decade of the Cold War, U.S. cultural diplomats used American modernist art to sway the...
Considering the Unthinkable: The Risks and Rewards of Decanonizing Faulkner / Deborah Clarke, Arizon...
At the close of the 2006 film, Talladega Nights, William Faulkner makes a surprising appearance. Mo...
Black Music, a Prelude to the Invention of Faulkner’s World: The Seminal/Pivotal Function of Place /...
William Faulkner has enjoyed a secure reputation as American modernism\u27s foremost fiction writer,...
There are, it seems, two kinds of Faulknerians. Or there used to be. Although not contending critica...
This paper investigates what we can learn from comparing how historians, who are concerned with mate...
Reconstructing Faulkner\u27s World: The Fictional Status of the Chronology and Genealogy in Absalom,...
Miscegenation and Progression: The First Americans of Jean Toomer and William Faulkner / Andrew Lei...
An Error in Canonicity, or, A Fuller Story of Faulkner\u27s Return to Print Culture, 1944-1951 / Joh...
Beginning with the Nagano Seminar that Faulkner gave in post-war Japan, this paper discusses his reg...
William Faulkner, Lawrence Stallings, and the Chronicling of World War I / Jason Fichtel, Joliet Jun...
Much of Faulkner\u27s writing revolves around an image of the South as a backward stagnant region bu...
Edited by Robert W. Hamblin and Ann J. Abadie University Press of Mississippi (Hardcover, $45.00, IS...
Visions of Southern Nationalism: A Historical Reassessment of Works by William Faulkner / Daniel Fer...
In the first decade of the Cold War, U.S. cultural diplomats used American modernist art to sway the...
Considering the Unthinkable: The Risks and Rewards of Decanonizing Faulkner / Deborah Clarke, Arizon...
At the close of the 2006 film, Talladega Nights, William Faulkner makes a surprising appearance. Mo...
Black Music, a Prelude to the Invention of Faulkner’s World: The Seminal/Pivotal Function of Place /...
William Faulkner has enjoyed a secure reputation as American modernism\u27s foremost fiction writer,...
There are, it seems, two kinds of Faulknerians. Or there used to be. Although not contending critica...
This paper investigates what we can learn from comparing how historians, who are concerned with mate...
Reconstructing Faulkner\u27s World: The Fictional Status of the Chronology and Genealogy in Absalom,...
Miscegenation and Progression: The First Americans of Jean Toomer and William Faulkner / Andrew Lei...
An Error in Canonicity, or, A Fuller Story of Faulkner\u27s Return to Print Culture, 1944-1951 / Joh...