What is it like not to see? Can the body compensate for lack of vision in experience? The work by Miroslaw Balka, a Polish artist, takes the form of a windowless room 50ft high and 40ft long that is designed to create pitch dark inside. In the turbine hall of the TATE Modern, you walk up a ramp into the container-like room. The further inside you get, the darker it gets, until it is virtually impossible to see the person beside you. You momentarily experience what it is like not to see. The experience of being inside Balka's black box demonstrates not only that we rely on bodily interactions, on "Sensoriomotor Contingencies" with the world, but that with failure of vision our body becomes extra sensitive to its environment. We adapt and...
The ‘feel’ of driving a Porsche is unlike that of seeing red (O’Regan, J. Noë, A., 2000). Sensorimot...
In this paper, I critically assess the enactive account of visual perception recently defended by Al...
What we consciously see in our everyday life is not an exact copy of the information that our eyes r...
The Scope and Limits of Enactive Theories of Visual Experience. The enactive conception, developed b...
The sensorimotor theory is an influential account of perception and phenomenal qualities that builds...
This essay aims to expose the metaphysical underpinnings of enactivism. While enactivism relies heav...
I argue that conscious visual experience is essentially a non-representational demonstration of a sk...
The project examines the relationship between perception and action, and is divided into two parts....
I argue that conscious visual experience consists in a direct and noninferential grasp of the way o...
This thesis synthesises material from contemporary cognitive science, analytic philosophy of mind co...
This paper outlines a light approach to heavy issues of consciousness. The basic claim is that human...
In Action in Perception Alva Noë develops and presents a sensorimotor account of vision and of visua...
This paper starts by providing a succinct overview of the sensorimotor approach to phenomenal consci...
Dualists believe that experiences have neither location nor extension, while reductive and ‘non-redu...
Dualists believe that experiences have neither location nor extension, while reductive and ‘non-redu...
The ‘feel’ of driving a Porsche is unlike that of seeing red (O’Regan, J. Noë, A., 2000). Sensorimot...
In this paper, I critically assess the enactive account of visual perception recently defended by Al...
What we consciously see in our everyday life is not an exact copy of the information that our eyes r...
The Scope and Limits of Enactive Theories of Visual Experience. The enactive conception, developed b...
The sensorimotor theory is an influential account of perception and phenomenal qualities that builds...
This essay aims to expose the metaphysical underpinnings of enactivism. While enactivism relies heav...
I argue that conscious visual experience is essentially a non-representational demonstration of a sk...
The project examines the relationship between perception and action, and is divided into two parts....
I argue that conscious visual experience consists in a direct and noninferential grasp of the way o...
This thesis synthesises material from contemporary cognitive science, analytic philosophy of mind co...
This paper outlines a light approach to heavy issues of consciousness. The basic claim is that human...
In Action in Perception Alva Noë develops and presents a sensorimotor account of vision and of visua...
This paper starts by providing a succinct overview of the sensorimotor approach to phenomenal consci...
Dualists believe that experiences have neither location nor extension, while reductive and ‘non-redu...
Dualists believe that experiences have neither location nor extension, while reductive and ‘non-redu...
The ‘feel’ of driving a Porsche is unlike that of seeing red (O’Regan, J. Noë, A., 2000). Sensorimot...
In this paper, I critically assess the enactive account of visual perception recently defended by Al...
What we consciously see in our everyday life is not an exact copy of the information that our eyes r...