Whether or not we would be happy to do without sounds, the idea that our experience of sounds is of things which are distinct from the world of material objects can seem compelling. All you have to do is close your eyes and reflect on the character of your auditory experience. In what follows I will describe the features of our auditory experience which can lead one to think of sounds in this way. I will then describe a way in which we can experience sounds to be part of the material world. Since this is a kind experience that essentially involves more than one sense, I will end by drawing some conclusions about how we should think about the senses
A person listening to music can be said to “hear space” in two senses: metaphorically, when the musi...
What is an experience? Seemingly numb due to the overload of information, stimuli, and sensory possi...
This paper follows up on my continuing research on a compositional method based on the interpretatio...
We make the case in this essay that sound that is imagined is both a perception and as much a sound ...
There is more to the experience of music than sound. Listeners commonly report that music takes them...
I have been listening to electronically produced and mediated music for about 45 years and I can cle...
The project constructs an account of the role of aural experience and soundscape perception in outli...
Forthcoming publication in Auditory Perception and SoundsWhere are sounds are where do we percieve t...
According to the acousmatic thesis defended by Roger Scruton and others, to hear sounds as music is ...
Analysis and knowledge are required in order to obtain awareness and understanding of sensory data, ...
This work discusses basic human senses: sight; sound; touch; taste; and smell; and the way in which ...
It is a commonly held view that auditory perception functions to tell us about sounds and their pro...
The contribution of recent theories of sound and audition has been extremely significant for the dev...
How can someone have the right perception of sound and its nature? We hear sounds everywhere: we hea...
Everyday listening is the experience of hearing events in the world rather than sounds per...
A person listening to music can be said to “hear space” in two senses: metaphorically, when the musi...
What is an experience? Seemingly numb due to the overload of information, stimuli, and sensory possi...
This paper follows up on my continuing research on a compositional method based on the interpretatio...
We make the case in this essay that sound that is imagined is both a perception and as much a sound ...
There is more to the experience of music than sound. Listeners commonly report that music takes them...
I have been listening to electronically produced and mediated music for about 45 years and I can cle...
The project constructs an account of the role of aural experience and soundscape perception in outli...
Forthcoming publication in Auditory Perception and SoundsWhere are sounds are where do we percieve t...
According to the acousmatic thesis defended by Roger Scruton and others, to hear sounds as music is ...
Analysis and knowledge are required in order to obtain awareness and understanding of sensory data, ...
This work discusses basic human senses: sight; sound; touch; taste; and smell; and the way in which ...
It is a commonly held view that auditory perception functions to tell us about sounds and their pro...
The contribution of recent theories of sound and audition has been extremely significant for the dev...
How can someone have the right perception of sound and its nature? We hear sounds everywhere: we hea...
Everyday listening is the experience of hearing events in the world rather than sounds per...
A person listening to music can be said to “hear space” in two senses: metaphorically, when the musi...
What is an experience? Seemingly numb due to the overload of information, stimuli, and sensory possi...
This paper follows up on my continuing research on a compositional method based on the interpretatio...