"In 1980, Frankenthaler began a new project at Tyler Graphics. By 1985, using stones, plates, and proofs from the previous five years she began to experiment while making multi-media prints. The result, culminating in 1987, is a group of ten prints, seven of which are her first mixed media prints at the workshop. This exciting new body of work is her largest single publication to date." --Page 1 of the document
Collaborations: Aberystwyth Paper Press Print is a portfolio celebrating the diversity of printmakin...
Catalogue to accompany a touring exhibition comprised of 78 prints by Kipling, created between 1958-...
Working with fine art graduates at the University of Central Lancashire (UCLan) we are discovering m...
Essay on the publication associated with Helen Frankenthaler: Radical Beauty, produced to coincide w...
Highly acclaimed in the art world, Frankenthaler played a pivotal role in the transition between Abs...
Buschlen recalls the first time he saw a painting by Frankenthaler. List of solo exhibition
This major publication traces the development of Goodwin's printmaking from 1950-1990, and focuses o...
In May 1972, Abstract Expressionist artist Helen Frankenthaler came to Portland as part of a Visiti...
Helen Frankenthaler, like other painters of her generation, was compelled to come to terms with the ...
The book re-examines Frankenthaler’s canonical painting Mountains and Sea from the perspective of de...
In a decade marked by the omnipresence of black-and-white television, McCarthyism, the end of the Ko...
In this catalogue of work by seven mainly American printmakers, Castelman sketches the main trends i...
This artwork is from a portfolio of original prints published in recognition of Meyer Schapiro (1904...
This thesis addresses how academics, curators, and art writers in the popular press reviewed Helen F...
The collaborative print studio has had profound impact upon the production and realisation of some o...
Collaborations: Aberystwyth Paper Press Print is a portfolio celebrating the diversity of printmakin...
Catalogue to accompany a touring exhibition comprised of 78 prints by Kipling, created between 1958-...
Working with fine art graduates at the University of Central Lancashire (UCLan) we are discovering m...
Essay on the publication associated with Helen Frankenthaler: Radical Beauty, produced to coincide w...
Highly acclaimed in the art world, Frankenthaler played a pivotal role in the transition between Abs...
Buschlen recalls the first time he saw a painting by Frankenthaler. List of solo exhibition
This major publication traces the development of Goodwin's printmaking from 1950-1990, and focuses o...
In May 1972, Abstract Expressionist artist Helen Frankenthaler came to Portland as part of a Visiti...
Helen Frankenthaler, like other painters of her generation, was compelled to come to terms with the ...
The book re-examines Frankenthaler’s canonical painting Mountains and Sea from the perspective of de...
In a decade marked by the omnipresence of black-and-white television, McCarthyism, the end of the Ko...
In this catalogue of work by seven mainly American printmakers, Castelman sketches the main trends i...
This artwork is from a portfolio of original prints published in recognition of Meyer Schapiro (1904...
This thesis addresses how academics, curators, and art writers in the popular press reviewed Helen F...
The collaborative print studio has had profound impact upon the production and realisation of some o...
Collaborations: Aberystwyth Paper Press Print is a portfolio celebrating the diversity of printmakin...
Catalogue to accompany a touring exhibition comprised of 78 prints by Kipling, created between 1958-...
Working with fine art graduates at the University of Central Lancashire (UCLan) we are discovering m...