In an enclosed interior space, Ni welded a metal cage that matched the dimensions of the room. The cage, however, was titled for fifteen degrees relative to its hosting space. (Imagine that from the room\u27s floor, walls, and ceilings the cage was always deviated by 15 degrees). The new space created artificially by the artist would ask its inhabitants to kinetically adapt to the elevated horizons, resulting in an exercise that was expected to benefit the people within, physically and mentally (by the adaptations). (Beijing Youth Daily 北京青年报,December 1994) (Jerry Wu\u2723).https://digital.kenyon.edu/zhou/1188/thumbnail.jp
In this work, LIN Yilin installed numerous metal cages by the ceiling of a room. Scattered throughou...
Within this installation at his own home in Beijing, China, “Wang recurrently problematizes an under...
In 1951, Cage composed multiple pieces influenced by radio’s intermediate nature. His piece, Imagina...
The centre of the space [in the Out of Center exhibition in Museum of art in Porin, Finland, 1994]...
At the center of the gallery hall, artist Qian constructed an enclosed, doubly bended (think in the ...
While the generative ideas largely broaden our horizon for creating in architecture, music, and othe...
John Cage, (1912-1992) pioneer in new music, innovator, inventor of the happening and philosopher, w...
This work seems to be arranged in a very narrow space, much like a shortened corridor, or extended c...
Hollow tubes are hung within a cube of 3x3 meters. This is done in accordance with 3 patterns being ...
Habitats support life; life demands motion. This paper uses mathematical derivations and computer si...
The articulation of space by man is the essence of architecture. In the creation of an architectural...
This composition was created as a part of Graceland University’s MUSC3220: Post Tonal Theory and His...
Interior was a site specific installation that formed part of the group exhibition Another Movement,...
“For Cultural Melting Bath, Cai Guo-Qiang makes full use of the Museum’s largest gallery of approxim...
Spatial anxiety is very real. Historically this concept has been utilised in the architecture of res...
In this work, LIN Yilin installed numerous metal cages by the ceiling of a room. Scattered throughou...
Within this installation at his own home in Beijing, China, “Wang recurrently problematizes an under...
In 1951, Cage composed multiple pieces influenced by radio’s intermediate nature. His piece, Imagina...
The centre of the space [in the Out of Center exhibition in Museum of art in Porin, Finland, 1994]...
At the center of the gallery hall, artist Qian constructed an enclosed, doubly bended (think in the ...
While the generative ideas largely broaden our horizon for creating in architecture, music, and othe...
John Cage, (1912-1992) pioneer in new music, innovator, inventor of the happening and philosopher, w...
This work seems to be arranged in a very narrow space, much like a shortened corridor, or extended c...
Hollow tubes are hung within a cube of 3x3 meters. This is done in accordance with 3 patterns being ...
Habitats support life; life demands motion. This paper uses mathematical derivations and computer si...
The articulation of space by man is the essence of architecture. In the creation of an architectural...
This composition was created as a part of Graceland University’s MUSC3220: Post Tonal Theory and His...
Interior was a site specific installation that formed part of the group exhibition Another Movement,...
“For Cultural Melting Bath, Cai Guo-Qiang makes full use of the Museum’s largest gallery of approxim...
Spatial anxiety is very real. Historically this concept has been utilised in the architecture of res...
In this work, LIN Yilin installed numerous metal cages by the ceiling of a room. Scattered throughou...
Within this installation at his own home in Beijing, China, “Wang recurrently problematizes an under...
In 1951, Cage composed multiple pieces influenced by radio’s intermediate nature. His piece, Imagina...