Add to ORKGThe present study aims at interpreting the position and role of Hungary’s first experimental music studio (New Music Studio Budapest) in the context of the political opposition, the neo-avant-garde movements of the time and of Hungarian music life. I point out that while the democratic political opposition decided for united action and open resistance by signing Charter ’77 in 1977, the New Music Studio tried to break gradually free of their peripheral position in spite of friendly connections to the members of the opposition and successfully reached the centre of the official music life. The members of the New Music Studio – Zoltán Jeney (1943), László Sáry (1940) and László Vidovszky (1944) – worked with the experimental techniques of the...
For his contemporaries Bela Bartok was not merely a \u27great composer.\u27 Bartok\u27s music and pe...
The paper aims to look at those community-organizing phenomena that provided alternatives to officia...
Point of departure in this paper is the notion of the avant-garde in music as viewed by Serbian musi...
A tanulmány az Új Zenei Stúdió helyzetét mutatja be az 1970-es évek politikai terében, valamint a ze...
In my paper, I wish to raise questions pertinent to the changing conceptualization of ‘national musi...
Based on archival and press sources, this case study examines the discourse on new music in Hungary,...
This article sets the New Music Studio, a group of radical composers including Laszlo Vidovszky, Zol...
This paper deals with the reception of European avant-garde in the Serbian/Yugoslav context of the 2...
It is a highly peculiar phenomenon in Hungarian — and perhaps in East and Central European — literat...
With a few exceptions, the scholarly literature on Hungary’s Gypsy music remains frozen in an increa...
In recent decades the interpretation of music history of the interwar period was determined by facto...
After the political and cultural seclusion of the 1950s young Hungarian composers turned themselves ...
At the beginning of the 1970s there was a drastic turn in the history of Hungarian folklorism brough...
It is a highly peculiar phenomenon in Hungarian – and perhaps in East and Central European – litera...
This dissertation examines the aesthetic debates, compositional practices, and critical reception of...
For his contemporaries Bela Bartok was not merely a \u27great composer.\u27 Bartok\u27s music and pe...
The paper aims to look at those community-organizing phenomena that provided alternatives to officia...
Point of departure in this paper is the notion of the avant-garde in music as viewed by Serbian musi...
A tanulmány az Új Zenei Stúdió helyzetét mutatja be az 1970-es évek politikai terében, valamint a ze...
In my paper, I wish to raise questions pertinent to the changing conceptualization of ‘national musi...
Based on archival and press sources, this case study examines the discourse on new music in Hungary,...
This article sets the New Music Studio, a group of radical composers including Laszlo Vidovszky, Zol...
This paper deals with the reception of European avant-garde in the Serbian/Yugoslav context of the 2...
It is a highly peculiar phenomenon in Hungarian — and perhaps in East and Central European — literat...
With a few exceptions, the scholarly literature on Hungary’s Gypsy music remains frozen in an increa...
In recent decades the interpretation of music history of the interwar period was determined by facto...
After the political and cultural seclusion of the 1950s young Hungarian composers turned themselves ...
At the beginning of the 1970s there was a drastic turn in the history of Hungarian folklorism brough...
It is a highly peculiar phenomenon in Hungarian – and perhaps in East and Central European – litera...
This dissertation examines the aesthetic debates, compositional practices, and critical reception of...
For his contemporaries Bela Bartok was not merely a \u27great composer.\u27 Bartok\u27s music and pe...
The paper aims to look at those community-organizing phenomena that provided alternatives to officia...
Point of departure in this paper is the notion of the avant-garde in music as viewed by Serbian musi...