The aim of this chapter is to give an overview of how the perception of a regular beat in music can be studied in humans adults, human newborns, and nonhuman primates using event-related brain potentials (ERPs). Next to a review of the recent literature on the perception of temporal regularity in music, we will discuss in how far ERPs, and especially the component called mismatch negativity (MMN), can be instrumental in probing beat perception. We conclude with a discussion on the pitfalls and prospects of using ERPs to probe the perception of a regular beat, in which we present possible constraints on stimulus design and discuss future perspectives
The ability to perceive a regular beat in music and synchronize to it is a widespread human skill. F...
In this study, we investigated how rhythms are processed in the brain by measuring both be-havioural...
Perception of temporal patterns is critical for speech, movement, and music. In the auditory domain,...
The aim of this chapter is to give an overview of how the perception of a regular beat in music can ...
The perception of a regular beat is fundamental to music processing. Here we examine whether the det...
The perception of a regular beat is fundamental to music processing. Here we examine whether the det...
<div><p>The perception of a regular beat is fundamental to music processing. Here we examine whether...
The two main characteristics of temporal structuring in music are meter and rhythm. The present expe...
Beat perception is the ability to perceive temporal regularity in musical rhythm. When a beat is per...
AbstractBeat perception is the ability to perceive temporal regularity in musical rhythm. When a bea...
Sound, by its very nature, is a temporal phenomenon. Everything from the perception of pitch to the ...
The processing of rhythmic events in music is influenced by the induced metrical structure. Two mech...
Brain responses to discrete short sounds have been studied intensively using the event-related poten...
Only little systematic research has examined event-related brain potentials (ERPs) elicited by the c...
Recently, electrophysiological measures, especially event-related potentials (ERP), have been increa...
The ability to perceive a regular beat in music and synchronize to it is a widespread human skill. F...
In this study, we investigated how rhythms are processed in the brain by measuring both be-havioural...
Perception of temporal patterns is critical for speech, movement, and music. In the auditory domain,...
The aim of this chapter is to give an overview of how the perception of a regular beat in music can ...
The perception of a regular beat is fundamental to music processing. Here we examine whether the det...
The perception of a regular beat is fundamental to music processing. Here we examine whether the det...
<div><p>The perception of a regular beat is fundamental to music processing. Here we examine whether...
The two main characteristics of temporal structuring in music are meter and rhythm. The present expe...
Beat perception is the ability to perceive temporal regularity in musical rhythm. When a beat is per...
AbstractBeat perception is the ability to perceive temporal regularity in musical rhythm. When a bea...
Sound, by its very nature, is a temporal phenomenon. Everything from the perception of pitch to the ...
The processing of rhythmic events in music is influenced by the induced metrical structure. Two mech...
Brain responses to discrete short sounds have been studied intensively using the event-related poten...
Only little systematic research has examined event-related brain potentials (ERPs) elicited by the c...
Recently, electrophysiological measures, especially event-related potentials (ERP), have been increa...
The ability to perceive a regular beat in music and synchronize to it is a widespread human skill. F...
In this study, we investigated how rhythms are processed in the brain by measuring both be-havioural...
Perception of temporal patterns is critical for speech, movement, and music. In the auditory domain,...