A well-known psychological effect triggered by narrative texts is the reader’s (or listener’s) experience of being mentally drawn into the storyworld, a feeling which is often referred to as immersion. The intensity of the experience of being immersed is not only dependent on various cognitive and emotional propensities of the immersed subject but also determined by particular features of the narrative text. The more a text enables the reader to construct an embodied simulation of the described situation, the more intense the immersive experience will be. Linguistic phenomena relevant to immersion are tense-aspect, modality, deixis, discourse markers, and subjective-evaluative vocabulary. Narrative techniques contributing to immersion inclu...
ABSTRACT: This article argues that the modern notion of immersion, a reader being absorbed in a virt...
dissertationThe studies presented in this dissertation suggest that representing the body in narrati...
The language of “immersion” in a fictional text lends itself to a dualistic reading that is, at best...
Through the ages, listeners and readers of the Homeric epics have been impressed by their vividness ...
When reading narratives, readers may have various experiences such as focused attention on reading a...
In his paper on Lysias, Dionysius of Halicarnassus characterizes the effect of Lysias' enargeia as t...
Traditionally, immersion and defamiliarization have been seen as describing opposing phenomena. Imme...
The article aims to deal with flow, immersion, and presence and their relation with storytelling and...
Immersive environments surround a participant such that everything they perceive is a part of a new ...
The language of “immersion” in a fictional text lends itself to a dualistic reading that is, at best...
This paper discusses the expressions used to refer to the experience of immersive in narrative games...
Based on the notion of immersion as developed by Jean-Marie Schaeffer, the article examines the read...
This paper disputes the notion, endorsed by much of narrative theory, that the reading of literary n...
Immersion names a physical, mental, and emotional state in which narrative can take control over a r...
Narrative fiction may invite us to share the perspective of characters which are very much unlike ou...
ABSTRACT: This article argues that the modern notion of immersion, a reader being absorbed in a virt...
dissertationThe studies presented in this dissertation suggest that representing the body in narrati...
The language of “immersion” in a fictional text lends itself to a dualistic reading that is, at best...
Through the ages, listeners and readers of the Homeric epics have been impressed by their vividness ...
When reading narratives, readers may have various experiences such as focused attention on reading a...
In his paper on Lysias, Dionysius of Halicarnassus characterizes the effect of Lysias' enargeia as t...
Traditionally, immersion and defamiliarization have been seen as describing opposing phenomena. Imme...
The article aims to deal with flow, immersion, and presence and their relation with storytelling and...
Immersive environments surround a participant such that everything they perceive is a part of a new ...
The language of “immersion” in a fictional text lends itself to a dualistic reading that is, at best...
This paper discusses the expressions used to refer to the experience of immersive in narrative games...
Based on the notion of immersion as developed by Jean-Marie Schaeffer, the article examines the read...
This paper disputes the notion, endorsed by much of narrative theory, that the reading of literary n...
Immersion names a physical, mental, and emotional state in which narrative can take control over a r...
Narrative fiction may invite us to share the perspective of characters which are very much unlike ou...
ABSTRACT: This article argues that the modern notion of immersion, a reader being absorbed in a virt...
dissertationThe studies presented in this dissertation suggest that representing the body in narrati...
The language of “immersion” in a fictional text lends itself to a dualistic reading that is, at best...