Add to ORKGAlmost immediately after the invention of photography in 1839, photographers embarked on expeditions throughout the colonial world. Entrepreneurial photographers rushed to locations along the colonial trail across the Middle East, Africa, the Americas, the Pacific, and Asia, to create images of ancient monuments and ‘exotic others’. They created lavish albums of photographs, making available pieces of the periphery for sale in European metropoles. Colonised people and places became the ongoing subjects of the colonial lens
Until the invention and dissemina tion of photography in the mid- 19th century, only a small portion...
One of the most compelling topics in the history of contemporary art today has to do with the empire...
This article represents an attempt to approach the notion of colonial discourse and photography more...
International audienceIn the second half of the 19th century, unprecedented advances in technology r...
When the US acquired its colonies of Puerto Rico and the Philippines in the aftermath of the 1898 wa...
Among the many novel cultural technologies that the British introduced to the Himalayas in the secon...
How is photography connected to global practices? This is a first edited collection to trace the re...
When photography is discussed as a colonialist imaging practice, two obvious notions of seeing and b...
Photography was first introduced to India in 1840, only a year after the announcements of the daguer...
"Photographers in Africa grasped the opportunity to serve a lucrative market for images of the conti...
Even before the invention of the Eastman Kodak Brownie camera in 1900 allowed them to do it themselv...
The mid-Victorian era and the Edwardian period witnessed important advances in graphic arts leading ...
The archives of colonial Southeast Asia and northern Australia contain hundreds of photographs of ma...
Photography on the periphery of colonial empires has attracted attention in Africa and Asia but less...
This edited volume considers the many ways in which landscape (seen and unseen) is fundamental to pl...
Until the invention and dissemina tion of photography in the mid- 19th century, only a small portion...
One of the most compelling topics in the history of contemporary art today has to do with the empire...
This article represents an attempt to approach the notion of colonial discourse and photography more...
International audienceIn the second half of the 19th century, unprecedented advances in technology r...
When the US acquired its colonies of Puerto Rico and the Philippines in the aftermath of the 1898 wa...
Among the many novel cultural technologies that the British introduced to the Himalayas in the secon...
How is photography connected to global practices? This is a first edited collection to trace the re...
When photography is discussed as a colonialist imaging practice, two obvious notions of seeing and b...
Photography was first introduced to India in 1840, only a year after the announcements of the daguer...
"Photographers in Africa grasped the opportunity to serve a lucrative market for images of the conti...
Even before the invention of the Eastman Kodak Brownie camera in 1900 allowed them to do it themselv...
The mid-Victorian era and the Edwardian period witnessed important advances in graphic arts leading ...
The archives of colonial Southeast Asia and northern Australia contain hundreds of photographs of ma...
Photography on the periphery of colonial empires has attracted attention in Africa and Asia but less...
This edited volume considers the many ways in which landscape (seen and unseen) is fundamental to pl...
Until the invention and dissemina tion of photography in the mid- 19th century, only a small portion...
One of the most compelling topics in the history of contemporary art today has to do with the empire...
This article represents an attempt to approach the notion of colonial discourse and photography more...