Hadrian is the first emperor to be almost exclusively represented in military costume in surviving sculpture. In this paper, it is argued that this development can be linked to the changing military role of the emperor in this period: from conqueror to protector. This theory is substantiated by a series of statues that employ a traditional, military motif to anchor events relating to Hadrian’s new foreign policy. Such depictions promoted the virtus of Hadrian not by referring to victories abroad but by highlighting his ability to maintain peace. This reading may provide us with a different lens to look at the military-styled images of Hadrian
The paper discusses the appearance of Roman armies in battle and the contribution of arms and equipm...
In his official portraits, Roman Emperor Hadrian sported a Greek beard rather than the clean shaven ...
The figure presented here includes the average number of sculptural portraits of Roman emperors (mos...
Hadrian was emperor at the very height of the Imperial Period (117–138 CE). He was selected to rule ...
This thesis investigates the use of propaganda in the form of iconography on Roman coins minted duri...
This 19th century bust depicts the Roman Emperor Hadrian (reign, 117-138). He is easily identifiable...
Though a Roman emperor possessed a wide variety of media on which he could address his subjects- coi...
Overall view of figure group, front; This group reproduced the features of the of the Emperor Hadria...
This paper analyzes the role of the military costume in the portrait of the Hellenistic and Roman ru...
The paper deals with the category of the “statua - rischen Idealporträts”, treating the few specime...
Case studies of Faustina the Younger’s and Marcus Aurelius’ portraits on coins and in sculpture demo...
Images of emperors of Julio-Claudian dynasty and especially the most famous representation of Octavi...
Roman emperors were influenced by precedent and by the expectations of various groups in the Roman E...
The figure presented here includes the total number of sculptural portraits of Roman emperors (mostl...
Ann beside statue of Hadrian - Agora, Athens. Great roman motifs on cuirass: Victories crown Athena ...
The paper discusses the appearance of Roman armies in battle and the contribution of arms and equipm...
In his official portraits, Roman Emperor Hadrian sported a Greek beard rather than the clean shaven ...
The figure presented here includes the average number of sculptural portraits of Roman emperors (mos...
Hadrian was emperor at the very height of the Imperial Period (117–138 CE). He was selected to rule ...
This thesis investigates the use of propaganda in the form of iconography on Roman coins minted duri...
This 19th century bust depicts the Roman Emperor Hadrian (reign, 117-138). He is easily identifiable...
Though a Roman emperor possessed a wide variety of media on which he could address his subjects- coi...
Overall view of figure group, front; This group reproduced the features of the of the Emperor Hadria...
This paper analyzes the role of the military costume in the portrait of the Hellenistic and Roman ru...
The paper deals with the category of the “statua - rischen Idealporträts”, treating the few specime...
Case studies of Faustina the Younger’s and Marcus Aurelius’ portraits on coins and in sculpture demo...
Images of emperors of Julio-Claudian dynasty and especially the most famous representation of Octavi...
Roman emperors were influenced by precedent and by the expectations of various groups in the Roman E...
The figure presented here includes the total number of sculptural portraits of Roman emperors (mostl...
Ann beside statue of Hadrian - Agora, Athens. Great roman motifs on cuirass: Victories crown Athena ...
The paper discusses the appearance of Roman armies in battle and the contribution of arms and equipm...
In his official portraits, Roman Emperor Hadrian sported a Greek beard rather than the clean shaven ...
The figure presented here includes the average number of sculptural portraits of Roman emperors (mos...