Ultramarine blue paint layers in oil paintings can be affected by ultramarine ‘disease’ or ‘sickness’: a phenomenon described by a grey appearance and a loss of detail in the artwork. An explanation for this phenomenon is an interaction between the organic binder network and ultramarine pigment, with the pigment acting as a catalyst for the breakdown of the network. This breakdown results in micro-cracks in the paint film, which influences the appearance of the artwork. To investigate the possible catalytic property of ultramarine pigment, a test reaction – the dehydration of methanol to dimethyl ether – was carried out, with and without ultramarine pigment present in a micro-reactor with in-line gas chromatography mass spectrometry. It was...
Geranium lake is an eosin-derived organic pigment highly employed by Van Gogh and his contemporaries...
In order to develop a better understanding at the molecular level of water sensitivity in twentieth ...
The observation of disfiguring yellow oil-like material on the surface of paintings by the contempor...
Ultramarine blue paint layers in oil paintings can be affected by ultramarine ‘disease’ or ‘sickness...
The industrial pigment, ultramarine blue, has been prepared using a modified laboratory-scale test f...
We report key evidence on the framework destruction in ultramarine pigments upon color fading. Exper...
Oil paintings from the 20th and 21st centuries present a range of conservation issues different from...
The 20th century has seen a significant evolution in artists' paint formulation and technology which...
Conspectus The 20th and 21st century oil paintings are presenting a range of challenging conservatio...
The structure of the polymeric fraction in an oil painting is believed to be strongly connected to ...
Abstract The effect of relative humidity (RH) and light on the development of epsomite (MgSO4·7H2O) ...
The present study deals with 20th century manufactured artists' oil paints containing raw and burnt ...
AbstractUltramarine is a synthetic analogue of lazurite, so called lapis lazuli. It was applied firs...
A number of ultramarine paint samples were analysed by Raman spectroscopy and X-ray photoelectron sp...
International audienceOil paint is a dynamic system that undergoes chemical alteration on several ti...
Geranium lake is an eosin-derived organic pigment highly employed by Van Gogh and his contemporaries...
In order to develop a better understanding at the molecular level of water sensitivity in twentieth ...
The observation of disfiguring yellow oil-like material on the surface of paintings by the contempor...
Ultramarine blue paint layers in oil paintings can be affected by ultramarine ‘disease’ or ‘sickness...
The industrial pigment, ultramarine blue, has been prepared using a modified laboratory-scale test f...
We report key evidence on the framework destruction in ultramarine pigments upon color fading. Exper...
Oil paintings from the 20th and 21st centuries present a range of conservation issues different from...
The 20th century has seen a significant evolution in artists' paint formulation and technology which...
Conspectus The 20th and 21st century oil paintings are presenting a range of challenging conservatio...
The structure of the polymeric fraction in an oil painting is believed to be strongly connected to ...
Abstract The effect of relative humidity (RH) and light on the development of epsomite (MgSO4·7H2O) ...
The present study deals with 20th century manufactured artists' oil paints containing raw and burnt ...
AbstractUltramarine is a synthetic analogue of lazurite, so called lapis lazuli. It was applied firs...
A number of ultramarine paint samples were analysed by Raman spectroscopy and X-ray photoelectron sp...
International audienceOil paint is a dynamic system that undergoes chemical alteration on several ti...
Geranium lake is an eosin-derived organic pigment highly employed by Van Gogh and his contemporaries...
In order to develop a better understanding at the molecular level of water sensitivity in twentieth ...
The observation of disfiguring yellow oil-like material on the surface of paintings by the contempor...