This paper aims to highlight the cultural biography of a small alabaster vessel in the collection of the J. Paul Getty Museum. This anthropomorphic alabaster scent bottle, which is dated to ca. 575–550 BCE and thought to have been made in Naucratis in Egypt, is presented as a Greek artifact in the Getty Villa’s permanent exhibition. This paper challenges this description and argues instead that the vessel is better understood as a cultural hybrid. We suggest that, by merging Egyptian, Phoenician, Greek, and/or Cypriot influences into a single object, the artists that created such interesting vessels were catering to a surprisingly international market. Thus, objects such as the Getty alabastron can be understood as emblems for an increasing...
First published in 2012, this catalogue presents fifty-six Etruscan, Greek, and Italic carved ambers...
Szkic stanowi lingwistyczno-kulturologiczną refleksję na temat nazw oraz opisów naczyń, w których od...
How have two-dimensional images of ancient Greek vases shaped modern perceptions of these artefacts ...
This paper aims to highlight the cultural biography of a small alabaster vessel in the collection of...
first century BCE Dulling of the glass, tarnishing, and slight chipping The Metropolitan Museum of A...
This paper consists of a focused, formal, and iconographic analysis of a unique Late Archaic bronze ...
Some 630 lamps in the J. Paul Getty Museum represent production centers that were active across the ...
Alabaster stone (alabaster) or calcite, which is the geological name of transparent alabaster, as it...
Research on the visual language of Augustan Rome is mainly focused on Greek influences, but Egypt li...
Laffineur Robert. Webb (Virginia). Archaic Greek Faience. Miniature Scent Bottles and Related Object...
The paper discusses the issue of artistic attitudes towards traditional materials in the era of cruc...
International audienceStone vessels, especially made of alabaster and basalt, seem to have been the ...
Presenting dynamic research, this publication explores two millennia of cultural interactions betwee...
This article discusses Late Classical to Hellenistic and possibly Roman terracottas in the Ashmolean...
The Bearded Head in the Krannert Art Museum (acquisition number 1970-11-1) poses a significant probl...
First published in 2012, this catalogue presents fifty-six Etruscan, Greek, and Italic carved ambers...
Szkic stanowi lingwistyczno-kulturologiczną refleksję na temat nazw oraz opisów naczyń, w których od...
How have two-dimensional images of ancient Greek vases shaped modern perceptions of these artefacts ...
This paper aims to highlight the cultural biography of a small alabaster vessel in the collection of...
first century BCE Dulling of the glass, tarnishing, and slight chipping The Metropolitan Museum of A...
This paper consists of a focused, formal, and iconographic analysis of a unique Late Archaic bronze ...
Some 630 lamps in the J. Paul Getty Museum represent production centers that were active across the ...
Alabaster stone (alabaster) or calcite, which is the geological name of transparent alabaster, as it...
Research on the visual language of Augustan Rome is mainly focused on Greek influences, but Egypt li...
Laffineur Robert. Webb (Virginia). Archaic Greek Faience. Miniature Scent Bottles and Related Object...
The paper discusses the issue of artistic attitudes towards traditional materials in the era of cruc...
International audienceStone vessels, especially made of alabaster and basalt, seem to have been the ...
Presenting dynamic research, this publication explores two millennia of cultural interactions betwee...
This article discusses Late Classical to Hellenistic and possibly Roman terracottas in the Ashmolean...
The Bearded Head in the Krannert Art Museum (acquisition number 1970-11-1) poses a significant probl...
First published in 2012, this catalogue presents fifty-six Etruscan, Greek, and Italic carved ambers...
Szkic stanowi lingwistyczno-kulturologiczną refleksję na temat nazw oraz opisów naczyń, w których od...
How have two-dimensional images of ancient Greek vases shaped modern perceptions of these artefacts ...