Adaptations: Moby Dick is a performance research project, consisting of a script, stage production, and site-sensitive performance. The adaptation was commissioned for the International Cornerstone Arts Festival (2017). In-kind funding was provided by the Tall Ship Zebu for a site- sensitive performance for the River Festival, Liverpool (2019). There were two interconnected stages to the project, underpinned by three research questions: 1. How do we re-imagine character within ensemble-led practice? 2. How does dramatic time differ from narrative time? 3. What is the relationship between the source text and adapted iterations? The first stage of the project led to a fully realised stage production, shown in Liverpool and Chester (2017)...
Shakespeare adaptation into film is an area where many artists take liberties in order to mould the ...
This thesis examines three adaptations of dramatic texts for postdramatic performance by two experim...
The study of adaptation, the practice of creating and producing literature, performance, music, and ...
The thesis investigates the concepts, processes and purposes involved in adapting one play into anot...
The story of Hamlet is commonly attributed to William Shakespeare and has been adapted consistently ...
Contemporary theatrical productions as diverse in form as experimental performance, new writing, Wes...
Behind its mask, the problem this paper pursues is the problem of drama in narrative. Often when dis...
This thesis focuses on the adaptation of well-known plays by Shakespeare in the late twentieth and e...
This article is dedicated to the centennial of Orson Welles’s birth in 1915 and thirtieth anniversar...
Adaptation of novels and other source texts into theatre has proven to be a recurring and popular fo...
My thesis examines the production practices of the Propeller Theatre Company, an all-male ensemble u...
Status: Developed and performed in Wales; with an initial run of performances from the 8th to 18th ...
Herman Melville’s Moby-Dick remains an enigma for many readers and critics. In this paper, I revisit...
The author describes the experience of adapting two different short stories for the stage, one as a ...
This project relies on two main bodies of work: the text and reception history of Moby-Dick. I argue...
Shakespeare adaptation into film is an area where many artists take liberties in order to mould the ...
This thesis examines three adaptations of dramatic texts for postdramatic performance by two experim...
The study of adaptation, the practice of creating and producing literature, performance, music, and ...
The thesis investigates the concepts, processes and purposes involved in adapting one play into anot...
The story of Hamlet is commonly attributed to William Shakespeare and has been adapted consistently ...
Contemporary theatrical productions as diverse in form as experimental performance, new writing, Wes...
Behind its mask, the problem this paper pursues is the problem of drama in narrative. Often when dis...
This thesis focuses on the adaptation of well-known plays by Shakespeare in the late twentieth and e...
This article is dedicated to the centennial of Orson Welles’s birth in 1915 and thirtieth anniversar...
Adaptation of novels and other source texts into theatre has proven to be a recurring and popular fo...
My thesis examines the production practices of the Propeller Theatre Company, an all-male ensemble u...
Status: Developed and performed in Wales; with an initial run of performances from the 8th to 18th ...
Herman Melville’s Moby-Dick remains an enigma for many readers and critics. In this paper, I revisit...
The author describes the experience of adapting two different short stories for the stage, one as a ...
This project relies on two main bodies of work: the text and reception history of Moby-Dick. I argue...
Shakespeare adaptation into film is an area where many artists take liberties in order to mould the ...
This thesis examines three adaptations of dramatic texts for postdramatic performance by two experim...
The study of adaptation, the practice of creating and producing literature, performance, music, and ...