Facial composites are pictures of human faces. These are normally constructed by victims and witnesses of crime who describe a suspect's face and then select individual facial features. Unfortunately, research has shown that composites constructed in this way are not often recognised. In contrast, we are quite good at recognizing complete faces, even if the face was unfamiliar and only seen briefly, and this more natural way of processing faces is at the heart of a new composite system called EvoFIT. With this computer program, witnesses are presented with sets of complete faces for selection and a composite is ‘evolved' over time. The current work augments EvoFIT by developing a set of psychologically useful scales - such as facial w...
Eyewitnesses are often asked to describe the appearance of an offender’s face, normally as part of a...
This paper examines two facial composite systems that present multiple faces during construction to ...
Purpose: This article describes four experiments evaluating post-production enhancement techniques w...
Facial composites are pictures of human faces. These are normally constructed by victims and witness...
Facial composites are pictures of human faces.These are normally constructed by victims and witnesse...
EvoFIT, a computerized facial composite system is being developed as an alternative to current syste...
Witnesses and victims of serious crime are often required to construct a facial composite, a visual ...
Facial composites remain an important tool for the apprehension of suspects. While research has led ...
Facial composite systems offer a particular challenge to human-computer interaction as they must fac...
Facial composites produced using traditional feature-based systems are notoriously hard to recognise...
Witnesses to a crime may be asked to create a facial composite of the offender from memory. They may...
Eyewitnesses are often invited to construct a facial composite, an image created of the person they ...
Witnesses and victims of serious crime are often required to construct a facial composite, a visual ...
A facial composite is a likeness to a suspect’s face based on an eyewitness’s memory. Systems for co...
An eyewitness can contribute to a police investigation both by creating a composite image of the fac...
Eyewitnesses are often asked to describe the appearance of an offender’s face, normally as part of a...
This paper examines two facial composite systems that present multiple faces during construction to ...
Purpose: This article describes four experiments evaluating post-production enhancement techniques w...
Facial composites are pictures of human faces. These are normally constructed by victims and witness...
Facial composites are pictures of human faces.These are normally constructed by victims and witnesse...
EvoFIT, a computerized facial composite system is being developed as an alternative to current syste...
Witnesses and victims of serious crime are often required to construct a facial composite, a visual ...
Facial composites remain an important tool for the apprehension of suspects. While research has led ...
Facial composite systems offer a particular challenge to human-computer interaction as they must fac...
Facial composites produced using traditional feature-based systems are notoriously hard to recognise...
Witnesses to a crime may be asked to create a facial composite of the offender from memory. They may...
Eyewitnesses are often invited to construct a facial composite, an image created of the person they ...
Witnesses and victims of serious crime are often required to construct a facial composite, a visual ...
A facial composite is a likeness to a suspect’s face based on an eyewitness’s memory. Systems for co...
An eyewitness can contribute to a police investigation both by creating a composite image of the fac...
Eyewitnesses are often asked to describe the appearance of an offender’s face, normally as part of a...
This paper examines two facial composite systems that present multiple faces during construction to ...
Purpose: This article describes four experiments evaluating post-production enhancement techniques w...