Add to ORKG20-page illustrated leaflet, co-produced with museum and heritage sectors. Published and available to download as a low resolution spread on www.replicas.stir.ac.uk. High resolution copy available from s.m.foster@stir.ac.u
The St Andrews Sarcophagus and Norrie's Law hoard are two of the most important surviving Pictish re...
In this chapter, we examine the use of replicas in museums and for other purposes such as teaching b...
This article uses the COVID –19 crisis to re –evaluate the importance of reproductions – 3D prints –...
This article focuses on the fraught questions surrounding replicas and their use in heritage context...
Reproduction of archaeological material was a significant and serious enterprise for antiquarians an...
Article considering the status of the replica in heritage contexts - in particular, asking whether t...
Digitally fabricated artefacts or 3D replicas have the potential to enrich the interpretation of cul...
Digitally fabricated replicas have entered the cultural heritage (CH) scenery over the last years as...
Casts and replicas of museum objects are powerful tools in experience-based education. However, they...
Digitally fabricated replicas have entered the cultural heritage (CH) scenery over the last years as...
The papers presented in this volume address the concepts and workings of authenticity and replicatio...
This research project argues that embedding visual art and socially engaged practice into heritage i...
What do we actually know about how replicas of historical objects and monuments 'work' in heritage c...
For museums and international fairs across the world the production and exhibition of replicas of ar...
We really don’t know if the discussion about ‘originals’ and ‘copies / replicas’ started in caves at...
The St Andrews Sarcophagus and Norrie's Law hoard are two of the most important surviving Pictish re...
In this chapter, we examine the use of replicas in museums and for other purposes such as teaching b...
This article uses the COVID –19 crisis to re –evaluate the importance of reproductions – 3D prints –...
This article focuses on the fraught questions surrounding replicas and their use in heritage context...
Reproduction of archaeological material was a significant and serious enterprise for antiquarians an...
Article considering the status of the replica in heritage contexts - in particular, asking whether t...
Digitally fabricated artefacts or 3D replicas have the potential to enrich the interpretation of cul...
Digitally fabricated replicas have entered the cultural heritage (CH) scenery over the last years as...
Casts and replicas of museum objects are powerful tools in experience-based education. However, they...
Digitally fabricated replicas have entered the cultural heritage (CH) scenery over the last years as...
The papers presented in this volume address the concepts and workings of authenticity and replicatio...
This research project argues that embedding visual art and socially engaged practice into heritage i...
What do we actually know about how replicas of historical objects and monuments 'work' in heritage c...
For museums and international fairs across the world the production and exhibition of replicas of ar...
We really don’t know if the discussion about ‘originals’ and ‘copies / replicas’ started in caves at...
The St Andrews Sarcophagus and Norrie's Law hoard are two of the most important surviving Pictish re...
In this chapter, we examine the use of replicas in museums and for other purposes such as teaching b...
This article uses the COVID –19 crisis to re –evaluate the importance of reproductions – 3D prints –...