This paper examines disability arts and its role in identifying exclusion and barriers to participation within society. The work of selected writers, poets and musicians is presented and its value as a form of ideological critique is explored. It is suggested that disability arts has the potential to succeed where other forms of ideological critique fails because of the way in which difference is deployed, playfully and pragmatically, in order to make a political difference
The concept of dramaturgy as a creative process of ‘thinking no one’s thought’ (Bleeker 2015, 75) is...
Creative arts are understood to be a mediator between positions of social exclusion and inclusion fo...
The social model of disability has paid little attention to disabled children, with few attempts to ...
This paper reports on a specific event which attempted to facilitate discussions with children and y...
This chapter examines the disability arts movement in Great Britain as an example of a self-organise...
This paper teases out how the identities of young people with mind–body–emotional differences are pe...
This thesis was submitted for the degree of Doctor of Philosophy and awarded by Brunel University.Th...
<p>Abstract copyright data collection owner.</p>The research explores how broader-scale patterns of ...
Putting disability studies to work in art education suggests a form of action or industry, a creativ...
This research uses a model of inclusive capital to study how people with disabilities learn how to b...
This study aims to explore how interaction with the performing arts could facilitate the participati...
This thesis is a detailed account and analysis of young disabled people‟s inclusions within one Furt...
This article centres on my dissertation in Arts, Festival and Cultural Management at Queen Margaret ...
This article argues for an approach to the evaluation of arts policy and practice for disabled child...
In this article the author demonstrates that contemporary cultural disability discourses offer few p...
The concept of dramaturgy as a creative process of ‘thinking no one’s thought’ (Bleeker 2015, 75) is...
Creative arts are understood to be a mediator between positions of social exclusion and inclusion fo...
The social model of disability has paid little attention to disabled children, with few attempts to ...
This paper reports on a specific event which attempted to facilitate discussions with children and y...
This chapter examines the disability arts movement in Great Britain as an example of a self-organise...
This paper teases out how the identities of young people with mind–body–emotional differences are pe...
This thesis was submitted for the degree of Doctor of Philosophy and awarded by Brunel University.Th...
<p>Abstract copyright data collection owner.</p>The research explores how broader-scale patterns of ...
Putting disability studies to work in art education suggests a form of action or industry, a creativ...
This research uses a model of inclusive capital to study how people with disabilities learn how to b...
This study aims to explore how interaction with the performing arts could facilitate the participati...
This thesis is a detailed account and analysis of young disabled people‟s inclusions within one Furt...
This article centres on my dissertation in Arts, Festival and Cultural Management at Queen Margaret ...
This article argues for an approach to the evaluation of arts policy and practice for disabled child...
In this article the author demonstrates that contemporary cultural disability discourses offer few p...
The concept of dramaturgy as a creative process of ‘thinking no one’s thought’ (Bleeker 2015, 75) is...
Creative arts are understood to be a mediator between positions of social exclusion and inclusion fo...
The social model of disability has paid little attention to disabled children, with few attempts to ...